A BROKEN WINDOW

A poet breaks free from her past experiences in Parrish’s novel.

Sam is a 30-something poet finally pursuing the college degree she promised herself she would earn, but the experience lacks luster. Her new boyfriend, Steven, a professor from her program, has a research grant to go to Boston; moving there seems like a promising new start and a way to gain clarity about what she wants to do with her life, but Sam keeps getting dragged back into her past. Her alcoholic ex-boyfriend Timothy is still a fixture, as are the memories of a difficult childhood spent living under the eye of her abusive grandmother that keep threatening to surface. In Boston, Sam finds her creative need to write poetry comes second to Steven’s work; she finds solace in new friend Martin Alistair, son of legendary feminist publisher Edith Alistair. Sam reads Edith’s diaries about her publishing house—part of Steven’s research that he seems surprised she is fascinated by—while simultaneously writing poetry. From the novel’s opening line (“Happiness was a shock. So was knowing she belonged”), Parrish writes lyrically, conveying the creativity of her heroine while also displaying her own skill as a published poet. This is particularly evident as Sam works through a recurring motif of her childhood trauma, turning a terrible memory into an affecting poem. Though both Timothy and Steven feature heavily in the story (occasionally, it feels a little unclear as to whether they are meant to present a love triangle for Sam), the most compelling aspect of the narrative is the central character’s journey as she finds her footing and truly addresses her own needs. Readers will find themselves rooting for Sam, a woman in her 30s, as if this is her coming-of-age tale.

A contemporary poetic novel for audiences who love strong female characters.