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THE WOLVES OF MIDWINTER

From the Wolf Gift Chronicles series , Vol. 2

Fans will welcome Rice’s return to the realm of eccentric immortal predators.

Second in Rice’s series (The Wolf Gift, 2012) featuring a cultured pack of do-gooder werewolves.

Reuben, a newly minted Man Wolf, has moved into the Northern California mansion he inherited from the lovely, mysterious and now late Marchent. The mansion, situated in a vast woodland, is also home to several older (in some cases ancient) men who are, when the occasion requires, werewolves. Among these “Distinguished Gentlemen” are Marchent’s uncle Felix, a giant named Sergei, the well-mannered Thibault, and the leader and conscience of the pack, Margon. The Gentleman are inducting the beginner werewolves, including Stuart, a young gay man, and Reuben’s latest ladylove, Laura, into new, immortal life. The group is preparing for a gala Christmas party they hope to make an annual tradition. The party will be followed by the midwinter rites, which the werewolves (known as Morphenkinder) have celebrated since time immemorial and which, in some packs, involves human sacrifice. Not Margon’s pack, however. His men (and women) wolves have a special instinct for sniffing out and mauling evildoers, particularly those who abuse and molest children. In fact, one night, after Reuben’s wolf persona emerges involuntarily, he rescues a kidnapped little girl, then devours most of her captor. The Gentlemen must put the public off the scent of their true identities, whence the party. But Reuben’s human entanglements pose complications. Marchent, who was murdered, is haunting Reuben, and Felix must enlist the aid of another supernatural group, the Forest Gentry, a kind of ethereal, chamois-clad tribe, to entice her troubled spirit away from the house. Reuben’s hated ex-girlfriend is about to give birth to his baby, and his father has decided to temporarily move into the mansion, where he will be the only resident who is not only mortal, but not privy to the werewolves’ secret. This complex fantasy world relies on an elaborate substructure of lore and history, and the action slows as points of exposition are repetitiously belabored.

Fans will welcome Rice’s return to the realm of eccentric immortal predators.

Pub Date: Oct. 15, 2013

ISBN: 978-0-385-34996-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Aug. 5, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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THE PRIORY OF THE ORANGE TREE

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

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After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.

No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

Pub Date: Feb. 26, 2019

ISBN: 978-1-63557-029-8

Page Count: 848

Publisher: Bloomsbury

Review Posted Online: Dec. 22, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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