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THE GIRLS OF AUGUST

A slight bagatelle in which even the weightiest topics are sloughed off like suntan lotion in a tropical rainstorm.

Three old friends and one newbie try to revive a vacation tradition, with mixed results.

The self-styled Girls of August are an intrepid band of doctors’ wives who have gotten together for annual summer sprees ever since Cornelia—the rich, blonde consort of party-animal physician Teddy—invited them to share her beach retreat. None of the other “girls”—Rachel, Barbara and narrator Maddy—actually liked Cornelia, but no matter; Teddy soon replaced her with the more copacetic Melinda. For the past three years, ever since Melinda’s tragic accidental death—Teddy was drunk at the wheel—the girls have stayed home, but then this summer, Baby, Teddy’s 20-something third wife, entices them to familiar Siddons territory, the South Carolina barrier islands. Baby’s opulent home is located on the deserted and fictional Tiger Island, virtually unpopulated except for a resident enclave of Gullah people. Gloriously incommunicado (the only cellphone having met its demise), the women drink, cook delicious meals and swim. But problems soon surface: Maddy suffers from intermittent nausea, Rachel almost drowns, and Barbara seems to be sliding into serious alcoholism. Baby is the source of much humor and rue among the 40-ish women: Not only is she blonde and independently wealthy like her predecessor, Cornelia, she enjoys flaunting her nubile figure by skinny-dipping. Perhaps to escape all the perimenopausal sarcasm, Baby disappears for long stretches. Is she having an affair with handsome Gullah fisherman Earl or merely plotting revenge? Someone removes the screen from Barbara’s window, letting in stinging bugs, and Maddy’s bed collapses one night. Has it all devolved into the middle-aged Southern version of summer camp farce? Nothing unpredictable or challenging can survive the many clichés—the wise and vaguely mystical Gullahs, the stereotypically airheaded trophy wife and the other characters who somehow lack the mettle of Steel Magnolias but who might qualify as copper or tin.

A slight bagatelle in which even the weightiest topics are sloughed off like suntan lotion in a tropical rainstorm.

Pub Date: July 8, 2014

ISBN: 978-0-446-52795-8

Page Count: 350

Publisher: Grand Central Publishing

Review Posted Online: June 4, 2014

Kirkus Reviews Issue: June 15, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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