The inconsistency in tone at the close is disappointing, though fans will welcome yet one more exploration of American...
Old South sensibilities, sparkling Charleston, and a group of aging socialites—all merge with an unshakable love for the land.
At 35, Anny Butler is semi-committed to singlehood, happy with her job helping disadvantaged children (she’s had plenty of experience, having raised her siblings while her mother drank away the days). That is, until she meets Dr. Lewis Aiken. Though both are Charleston natives, they may as well have come from separate worlds: Lewis had a boyhood of beach houses, a youth of cotillions, marriage to a beautiful, fussy wife, and weekends at the yachting club. Now divorced, popular Lewis sweeps Anny off her feet, and soon the new Mrs. Aiken meets the Scrubs. Lewis, Henry, Camilla, and Lila have been friends since their blue-blooded childhood; now nearing 50, they share (spouses come along) the beach house that they’ve been visiting all their lives. The Scrubs (they all have some connection to medicine) welcome Anny, and the years pass in an idyllic camaraderie (particularly poignant are Anny’s reveries about the Carolina Low Country). Wealthy and pleased with themselves, the eight flit from the shared beach house to their city mansions and their old plantation homes, while occasionally doing some good charitable work. This tour of the lifestyles of the rich and unfamous holds a certain prurient interest, and, thankfully, Siddons’s talent makes down-to-earth Anny’s narrative likable enough despite strangely unsympathetic people (they’re snobs, with antiquated ideas about race). As the years progress, tragedy threatens the unity of the group as they begin succumbing to both natural and unnatural deaths. But the indomitable (if not very nice) Camilla holds them together until the end, when the tale switches to a burning southern gothic replete with insanity, a faked illness, secret diaries, unrequited passion, and murder by fire.
The inconsistency in tone at the close is disappointing, though fans will welcome yet one more exploration of American southern life á la Siddons (Nora, Nora, 2000, etc.).Pub Date: April 9, 2004
ISBN: 0-06-621111-5
Page Count: 384
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2003
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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