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CAESARS' WIVES

THE FIRST LADIES OF THE ROMAN EMPIRE

Not nearly as soporific as most classical studies—a captivating look at imperial Rome’s roots in the making of the modern...

A groundbreaking study of some of the most powerful women in early Western civilization.

Latin teacher Freisenbruch examines how Rome’s leading ladies were expected to perform two millennia ago. Drawing from sources both classical and current, the author explores the biographies of Rome’s imperial women during a 500-year period, from the flourishing of the empire to its demise—roughly 40 BCE to 450 CE. Freisenbruch convincingly argues that many of these women—Livia (wife of Augustus and first Empress of Rome), Agrippina Minor (wife of Claudius and mother of Nero), Messalina (wife of Claudius), Helena (mother of Constantine)—actually figured large in the political rise and fall of their husbands and sons, as well as in laying the foundation for female conduct at the highest level as empress and in subsequent generations of the patrician or senatorial class. Freisenbruch shows that their influence extended not only to behavior but to all areas of fashion—from dress to hairstyle—and commerce, with their depictions on Roman currency often contributing to the political spin of the day. Classical biographers faced with the challenge of constructing a coherent life from fragmentary or conflicting sources must overcome the additional hurdle of having to gaze through the centuries-thick male lens when trying to portray female subjects. Freisenbruch ably rises to the occasion, taking an “agnostic approach to the eclectic array of narrative choices and prototypes that face us.” Providing well-chosen, scintillating details—e.g., enemies being boiled alive, familial bonds savagely snapped in an instant—alongside careful historical analysis, the author breathes new life into these overlooked subjects.

Not nearly as soporific as most classical studies—a captivating look at imperial Rome’s roots in the making of the modern stateswoman.

Pub Date: Nov. 9, 2010

ISBN: 978-1-4165-8303-5

Page Count: 368

Publisher: Free Press

Review Posted Online: Sept. 13, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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