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NORUMBEGA PARK

This is a superb novel on every level, for Giardina fully fleshes out his characters as he scrutinizes their personal,...

A graceful novel of an American family struggling to find identity and spiritual meaning in an age resistant—and even hostile—to their fumbling attempts.

Giardina takes us through the intricacies of the Palumbo family across three generations. We first meet Jack Palumbo at the age of eight, tormenting his younger sister Joan in the backseat of their parents’ car. (His mother’s first words about him are “ ‘I wish he’d be nicer,' " a wish the reader shares.) The novel ends 40 years later, with Jack confronting his failed marriage and Joan giving birth (at the age of 43) to a baby girl after having been a nun for most of her adult life. Their parents, Stella and Richie, have endured their own trials, though their married life began, like so many, with both hope and promise. The turning point in Stella and Richie’s life occurs when Richie falls in love with a house in Norumbega, Mass. Awkwardly, he ingratiates himself with the owners and makes an offer when the family matriarch dies. Because of Richie’s diminished prospects at work—a company that specializes in defense contracts during the Vietnam War—he opens a pizza parlor and tries to make his house a home. As a child Joan feels the tug of conventual life, while Jack, bright but lost, remains a disappointment to his father. Always attractive to women, Jack finds himself drawn to Christina Oakes while they’re both still in high school. Eventually they marry but begin to drift apart, Christina growing more and more emotionally removed both from Jack and from their children. Throughout doubts, arguments and infidelities, the Palumbos stumble toward grace and meaning.

This is a superb novel on every level, for Giardina fully fleshes out his characters as he scrutinizes their personal, family and social lives.

Pub Date: Feb. 7, 2012

ISBN: 978-0-374-27867-0

Page Count: 336

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 4, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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