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THE PLEASURE OF READING

43 WRITERS ON THE DISCOVERY OF READING AND THE BOOKS THAT INSPIRED THEM

Warm, often charming essays that celebrate the treasure of books.

Writers reveal the books that shaped them.

The mission of the British Give a Book charity is to share books with those most in need, including children in poor primary schools, mothers in shelters, and prisoners. This collection, whose royalties will aid the charity, is a slight expansion of a previous volume edited by Fraser (Perilous Question: Reform or Revolution? Britain on the Brink, 1832, 2013, etc.) in 1992 to celebrate the bicentenary of the British book chain WHSmith. The new collection includes 43 writers who were asked to reflect on their early reading and to list 10 favorite books. American readers will find many familiar notables among the original contributors, including Stephen Spender, Doris Lessing, John Fowles, Margaret Atwood, and A.S. Byatt. Younger writers are likely to be less familiar: the Indian-born novelist Kamila Shamsie; biographer Katie Waldegrave; poet Emily Berry; and playwright Tom Wells. On the whole, the essays make for pleasant reading. “My first sense of books,” writes Edna O’Brien, “is the feel and the smell of them...old books growing musty in a trunk.” The late playwright and novelist Simon Gray learned to read from “the captions and balloon-dialogue of Captain Marvel comics.” Germaine Greer calls reading her “first solitary vice…I read while I ate, I read in the loo, I read in the bath. When I was supposed to be sleeping, I was reading.” Lists of favorite books tend toward the canonical, with Jane Austen a popular entry, whether Mansfield Park (the favorite of mystery writer Ruth Rendell: “the fun-less one, the profoundest, the most didactic, but nevertheless the greatest”) or Pride and Prejudice. Dickens, Dostoevsky, Shakespeare, and Joyce reappear, as well. Tom Wells cites David Sedaris’ The Santaland Diaries and describes Joan Littlewood’s autobiography Joan’s Book “like a radiator, a suit of armour, and a proper adventure, all at once.”

Warm, often charming essays that celebrate the treasure of books.

Pub Date: Oct. 20, 2015

ISBN: 978-1-63286-228-0

Page Count: 368

Publisher: Bloomsbury

Review Posted Online: May 17, 2015

Kirkus Reviews Issue: June 1, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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