A tender celebration of the simple traditions that bind families.
A young South Asian girl revels in her family’s ritual of hair oiling.
Meenu always looks forward to Sundays, when her mother gently massages sweet-smelling oils into her hair. To Meenu, this feels like “floating stars twinkling around her heart!” and washing the oil leaves her hair shiny and soft. One Sunday, Meenu decides to mix up the magic oils all by herself but struggles to re-create the magic of her mother’s concoction. When her slippery hands lead to a mishap, a disappointed Meenu cries in frustration. As her mother gently washes her hair—without the oils—the magical feeling returns, to Meenu’s surprise. Biji, her grandmother, explains that the magic lies in her mother’s love and in passing down this shared ritual. Mommy explains that her mother used to oil her hair, as did her mother’s mother, stretching back many generations. A happier Meenu basks in the warmth and love of her family and treats her mother to her own Magic Hair Day. This is a sweet, deeply relatable story centered on a common South Asian ritual. Cartoonish illustrations depict large-eyed characters and swirls of color—appropriate, given the theme of magic. Cultural markers—the kara, a stainless-steel bracelet worn by the women, and framed pictures of a turbaned man and the Golden Temple—cue the family as Sikh.
A tender celebration of the simple traditions that bind families. (author’s note, hair-oiling tips) (Picture book. 4-8)Pub Date: Feb. 6, 2024
ISBN: 9781547611041
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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