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BLUE MONDAYS

World-weariness tinged with tragedy speeds a bourgeois Jewish youth in Amsterdam merrily down the road to ruin in a frank but rather bloodless debut. Author Grunberg, a high-school dropout, was 22 when this was first published in 1994 in the Netherlands. Naming his teenage narrator for himself, Ö la Philip Roth, Grunberg places him in as dysfunctional a household and as depressing a school system as can be imagined: His father is a hard-drinking, ailing man of shadowy means, his mother a Holocaust survivor prone to dish-smashing rages, his teachers either drunk, discipline-happy, or self-righteous samaritans. Dropping out, Arnon finds part-time office work, while his father, incapacitated by a stroke, wastes away slowly but surely; at his death he seems to have bequeathed his alcoholism to his only son. Living on his own but unable to keep a job, and traumatized by a few encounters with female classmates—including one in which he's abused by a pair of heavyweight witches—the young man frequents bars and cafes. In time, however, his loneliness and desperation make him turn to an escort service. An endless succession of prostitutes later, he is entirely numb to the process of sex but unable to break the habit, even when faced with the end of his money. And so he takes the advice offered by one of the call girls and signs on with an escort service himself, thereby giving his penchant for self-degradation free rein. The hero's swift downward spiral, though precisely and persuasively rendered, holds few surprises, while his severely unrelenting distance from all that affects him limits the reader's own level of engagement. Still, spare prose and precise portraits of disaffected characters offer clear promise of stronger work to come.

Pub Date: Jan. 1, 1997

ISBN: 0-374-11485-4

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1996

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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