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THE CLUB DUMAS

An intricate and very bookish mystery novel—set, in fact, in the rarefied world of book collecting and dealing—from the sophisticated Spanish author of The Flanders Panel (1994, not reviewed). The story begins with the hiring of professional "book- hunter" Lucas Corso by Boris Balkan, a translator and collector who seeks authentication of a handwritten manuscript chapter of Alexandre Dumas's The Three Musketeers that has fortuitously, as they say, come into his possession. Traveling back and forth between Paris and Madrid, Corso matches wits with Liana Taillefer, whose husband's suicide was somehow connected with his ownership of the Delomelanicon, an illustrated medieval volume said to contain secret instructions for summoning the devil, and of which only two other copies are known to exist. Corso is soon involved in a byzantine international intrigue carried on by those who want, or have information about, the Dumas chapter and the infernal Delomelanicon, including: urbane and ruthless bookseller Varo Borja; an aged German baroness; a threatening man with a facial scar whom his quarry Corso bemusedly nicknames "Rochefort" (after Dumas); and a preternaturally self-possessed teenaged girl who says she's Irene Adler (this being the name of Sherlock Holmes's most infamous mystery woman). Perez-Reverte plaits all these teasing strands together with imperturbable skill, leaving the reader wondering until almost the final pages about the significance of his seductive title, and the allegation that Alexandre Dumas's narrative genius was the result of his pact with Satan. A lot happens in this novel, despite its constant recourse to prearranged meetings and extended conversations, and its enormity of detail about the nuts and bolts of book manufacture, publishing, searching, and dealing. Bibliophiles will love this witty and clever fabrication, though its very specialized content may place it just outside the range of the general reader.

Pub Date: Feb. 1, 1997

ISBN: 0-15-100182-0

Page Count: 384

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1996

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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