Next book

Liberty Call... Port of Spain

An unappealing mix of empty slapstick and soapboxing.

A Three Stooges–like comedy with a dash of social philosophy.

Before readers can get to the story, they are presented with an awkward series of introductory sections—a dedication, an acknowledgment that encourages people to follow their dreams, a “Meet the Author” section that details the author’s proposed business ventures and inventions, a list of hobbies, a list of milestones in the author’s life, and a “Disclaimer” that explains the book consists of “thoughts that have crossed the minds of many generations gone on before us, those with us, and those to come”—none of which has much to do with what follows. Then the story itself is a jumble. It centers on the misadventures of four military buddies, Barry, Ken, Alfred and Greg—the latter three are described as “misfits”—who try the patience of their commanding officer by pulling pranks and acting like children. Most of the novel is straight exposition without much detail. Azreay’l writes of the trio, “Almost daily, they have pulled pranks on the commanding officer, executive officer, and most senior officers.” Only a few pranks are mentioned after that, including a hackneyed gag involving the running of underwear up a flagpole. Descriptions tend to be unnatural; at one point, a character’s tears “splash” on a table and, later on, a room “quietly grew to a whisper.” Much of the humor is derived from characters bumping into things or inexplicably falling down. The characters spend a lot of time laughing, ostensibly to indicate where readers should be laughing, too. But the dialogue is wooden, especially in comedy club scenes in the beginning and end in which the comedians mostly do crowd work, yelling at the audience or hitting on women among them. Elsewhere, there are long stretches of characters spouting one-sided rhetoric that comes off a bit unnaturally, as when comedian Keyonton bristles at an accusation of gay bashing—“I am not gay bashing, if anything I am word bashing. I am not the one who has power to say it is right or wrong, but if He says it is wrong, then that is good enough for me to know that it’s wrong in His sight”—or when Barry and Ken complain about Republicans “putting it to the middle and lower class” that year.

An unappealing mix of empty slapstick and soapboxing.

Pub Date: Aug. 12, 2013

ISBN: 978-1483672915

Page Count: 320

Publisher: Xlibris

Review Posted Online: March 9, 2015

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview