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THE PASSOVER COWBOY

A Seder and cowboy clothes are beautifully woven together

Russian Jews settle in Argentina—a little-known but timely fact.

In Argentina, two pale-skinned boys are racing their horses. Benito, born in the country, is comfortably attired, while Jacob is still dressed in the too-tight clothing of the old country. It is just before the Jewish festival of Passover, and Jacob invites his new friend to the Seder, but Benito turns him down. Jacob returns home thinking about their lives in Russia, with houses so close by that neighbors visited frequently. At his house, his mother and sister are busy with the many delicious food preparations. Still, Jacob wishes Benito would come—opening the door for the prophet Elijah and other guests is part of the celebration. He is happy, though, to receive a very special gift from his mother: Argentinian clothing perfect for riding horses. When the door is opened, however, chaos follows as messy chickens invade their kitchen. Benito arrives just in time to help save the dinner and present his friend with a much-needed present, a lasso. Goldin’s story is a warm-spirited tale of an immigrant family. An author’s note explains the work of Baron Maurice de Hirsch, who sponsored Russian Jewish immigration to Argentina in the late 19th century. Capaldi’s watercolor illustrations fill the pages with action and personality.

A Seder and cowboy clothes are beautifully woven together . (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-68115-527-2

Page Count: 32

Publisher: Apples & Honey Press

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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HANUKKAH PAJAMAKKAHS

An upbeat holiday tale marred by spotty logic.

An unusual Hanukkah miracle.

On the first night of Hanukkah, Ruthie’s parents give her a pair of holiday-themed “pajamakkahs.” Dad says that she can wear them to the family’s “Hanukkah Pajamakkah Party” on the eighth night. Ruthie wants to wear them “all eight nights.” Mom agrees but tells her to keep them “spotless.” Despite Ruthie’s precautions, she accrues myriad stains as she helps cook latkes, lights the menorah, does arts and crafts, and crashes into a pile of jelly doughnuts. But there are no spots here, says Ruthie—just “streaks,” “splotches,” “sparkles,” and “squishes.” On the final night of Hanukkah, the whole family and even the dog sport pajamakkahs of their own. Mom’s aghast at Ruthie’s pj’s. Dad says it’s a miracle they lasted eight nights, but he sees spots. “Dotted, not spotted,” Ruthie counters. Other, racially diverse, pajama-clad family members arrive. Ruthie twirls the dreidel and, inexplicably, causes a whirlwind, upending latkes, art supplies, and more. Are those spots on Ruthie’s pajamakkahs at last? Finally, Ruthie says, “a Hanukkah miracle!” This thinly plotted, only mildly amusing story is rife with logical holes. Even the youngest readers won’t believe Ruthie’s parents didn’t insist the badly soiled pj’s should get tossed in the washer sooner. It isn’t clear what’s so miraculous about Ruthie’s dirty jammies, and the child’s literalness wears thin. The cheerful, digitally created illustrations feature familiar Hanukkah symbols but are otherwise undistinguished. Ruthie and her immediate family are pale-skinned.

An upbeat holiday tale marred by spotty logic. (Picture book. 4-7)

Pub Date: Sept. 3, 2024

ISBN: 9781728284576

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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THANKFUL

Low-key and gentle; a book to be thankful for.

Spinelli lists many things for which people are thankful.

The pictures tell a pleasing counterpoint to this deceptively simple rhyme. It begins “The waitress is thankful for comfortable shoes. / The local reporter, for interesting news.” The pictures show a little girl playing waitress to her brother, who playacts the reporter. The news gets interesting when the girl trips over the (omnipresent) cat. As the poem continues, the Caucasian children and their parents embody all the different roles and occupations it mentions. The poet is thankful for rhyme and the artist, for light and color, although the girl dancer is not particularly pleased with her brother’s painterly rendition of her visual art. The cozy hotel for the traveler is a tent for the siblings in the backyard, and the grateful chef is their father in the kitchen. Even the pastor (the only character mentioned who is not a family member) is grateful, as he is presented with a posy from the girl, for “God’s loving word.” The line is squiggly and energetic, with pastel color and figures that float over white space or have whole rooms or gardens to roam in. Both children, grateful for morning stories, appear in a double-page spread surrounded by books and stuffed toys as their mother reads to them—an image that begs to be a poster.

Low-key and gentle; a book to be thankful for. (Picture book. 4-7)

Pub Date: Sept. 1, 2015

ISBN: 978-0-310-00088-4

Page Count: 32

Publisher: Zonderkidz

Review Posted Online: May 17, 2015

Kirkus Reviews Issue: June 15, 2015

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