Jake Moon’s grandfather Skelly used to be the emotional fixer in Jake’s household, the one who soothed his hurts and helped him through hard times. But when Jake is in third grade, Skelly begins forgetting things and by the time Jake is ready to graduate from eighth grade Skelly’s Alzheimer’s has progressed to the point where he is barely aware of his surroundings. Jake learns from Skelly’s doctor that Alzheimer’s disease has three stages, “each . . . worse than the one before it,” which Jake thinks of as “(1) sad, (2) sadder, and (3) the saddest thing you’ve ever seen.” The book chronicles not only Skelly’s deterioration, but also the effect it has on Jake and his relationships with other family members and friends. As Skelly’s condition worsens, their roles reverse and Jake finds himself caring for the man who once cared for him. That, coupled with the fact that his grandfather has become a tremendous embarrassment—at a sleepover, Skelly shows up in Jake’s room without any pants or underpants, for example—causes Jake to disengage from friends and extracurricular activities. Park’s convincing first-person narration rings true, and she is particularly adept at rendering Jake’s complex emotional journey, which encompasses love, confusion, sadness, anger, embarrassment, shame, and finally acceptance. The book has some funny moments, but it’s one of Park’s darker, more poignant creations; readers expecting a Skinnybones–type laugh-a-thon will be sadly disappointed. Nonetheless, Park has produced a perceptive book that should prove useful to children who must navigate similar waters. (Fiction. 9-12)
Pub Date: Sept. 1, 2000
ISBN: 0-689-83912-X
Page Count: 114
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2000
BOOK REVIEW
BOOK REVIEW
Charming, poignant, and thoughtfully woven.
An aspiring scientist and a budding artist become friends and help each other with dream projects.
Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.
Charming, poignant, and thoughtfully woven. (Fiction. 9-12)Pub Date: Jan. 12, 2021
ISBN: 978-0-06-300888-5
Page Count: 304
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK REVIEW
A pitch-perfect middle-grade novel that insightfully explores timely topics with authenticity and warmth.
A nuanced novel about a neurodiverse preteen’s political and social awakening by a Pura Belpré Honor–winning author.
Sixth grader Emilia Rosa Torres sometimes has a hard time keeping up with schoolwork and concentrating on one thing at a time, but her software-developer mother and superinvolved abuelita help her keep on task. Days before her father’s return to their Atlanta suburb from his most recent deployment, her mother goes on a business trip, leaving the middle schooler to juggle his mood swings, her friend troubles, and her looming assignments all on her own. When a social studies project opens her eyes to injustices past and present, Emilia begins to find her voice and use it to make an impact on her community. Writing with sensitivity and respectful complexity, Cartaya tackles weighty issues, such as immigration, PTSD, and microaggressions, through the lens of a budding tinkerer and activist who has ADHD. The members of this Cuban American family don’t all practice the same religion, with Emilia’s Catholic grandmother faithfully attending Mass multiple times a week and the protagonist’s mother celebrating her culture’s Yoruba roots with Santería. Conversations on race and gender crop up through the narrative as Emilia’s grandmother likes to emphasize her family’s European heritage—Emilia can pass as white, with her fair complexion, light eyes and auburn hair. All of these larger issues are effortlessly woven in with skill and humor, as is the Spanish her family easily mixes with English.
A pitch-perfect middle-grade novel that insightfully explores timely topics with authenticity and warmth. (author’s note) (Fiction. 9-12)Pub Date: Aug. 6, 2019
ISBN: 978-0-451-47972-3
Page Count: 336
Publisher: Kokila
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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