The point? Apparently none.
Mixed-up mom reconnects with mixed-up daughter in another confused family saga from second-novelist Samuel (No Place Like Home, 2001)
Luna McGraw lost custody of her daughter—and started having tequila for breakfast. But now she drinks—no, obsesses over—coffee in various frothy and steamed combinations. There are other invigorating influences in her life besides all that caffeine: the brilliant sun of Taos, for example, and its engagingly eccentric residents. Luna is an artist in a small way, painting whimsical designs onto old furniture just for fun, and she works at the grocery store to pay her rent. She gets by. Life is good. She even listens to the voices in her head that tell her what to do, dubbed Therapist Barbie and Best Friend Barbie. As Barbies go, they know just what to say when Luna is feeling a little down. Oh, one more thing: she’s dying for a Marlboro but she has to set a good example for teenager Joy, right? And just why is her pain-in-the-butt ex suddenly eager to send the girl to her mother? Joy doesn’t seem all that bad. Outward signs of rebellion are few: small tattoo on her back, minor body pierce here and there. She seems to make friends easily and so does Luna—Thomas Coyote, that hunky Indian woodcarver, looks like a real man, not too arty or pretentious. And nice. What more could a clean-and-sober middle-aged woman ask for? Luna is realistic and figures she can deal with the ex-wife he still talks to. Then a letter arrives and all cluster ’round: seems Luna’s good-for-nothing father died and left them some land. What to do? Drink some coffee and dither some more. Joy’s friend Maggie is cutting herself. What to do? Ask an inner Barbie. And so goes this desultory plot, interspersed with almanac quotes, the twelve steps of AA, and deep Dear Diary entries.
The point? Apparently none.Pub Date: Feb. 1, 2003
ISBN: 0-345-44567-8
Page Count: 336
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.
Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.
Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.Pub Date: April 10, 2018
ISBN: 978-1-5011-2801-1
Page Count: 416
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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