Opaque but arresting.
This collection of Rima’s three graphic novels from across two decades rambles through the streets of Lebanon’s capital, a city driven by politics, war, and family.
An introduction by the translators frames Rima’s work in the tradition of the flaneur, a wandering and enraptured observer of a city, and contextualizes Rima’s connection to the titular city as a visitor rather than a resident, coming to the bustling metropolis with hungry eyes. The first volume opens with the dialogue of two old intimate acquaintances reuniting after decades of separate lives, reminiscing about a political movement that electrified the moment but has been mostly forgotten as the city weathered decades of war and rapacious commerce, becoming mired in corruption and mountains of literal waste. The opening lines of white text on black give way to rich, expressive patches of ink carved up with stark white forms and fine lines, building a city through its architectural geometry and imperfections and through the body language of a street vendor negotiating his cart against heavy traffic and a young refugee shot dead in the street. The panels click along like a film reel, narrated by a Hakawati, a storyteller who speaks through the entire cast: cab driver, singer, author surrogate, mother and daughter in search of the sea, Greek chorus of trash shovelers questioning the nature of the narrative in which they find themselves. The three volumes grow progressively personal, and the art becomes more representational, stiffening into detailed figures cut out against their backgrounds like a black box stage play, delivering elegiac dialogue that dissects existence. All three volumes favor atmosphere over narrative as they wryly but earnestly ponder the refugee’s wandering out of time, a mother’s long-ago involvement in a movement, the machinery of political change, and historical amnesia.
Opaque but arresting.Pub Date: Sept. 17, 2024
ISBN: 9781778430480
Page Count: 112
Publisher: The Invisible Press
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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