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BEIRUT

Opaque but arresting.

This collection of Rima’s three graphic novels from across two decades rambles through the streets of Lebanon’s capital, a city driven by politics, war, and family.

An introduction by the translators frames Rima’s work in the tradition of the flaneur, a wandering and enraptured observer of a city, and contextualizes Rima’s connection to the titular city as a visitor rather than a resident, coming to the bustling metropolis with hungry eyes. The first volume opens with the dialogue of two old intimate acquaintances reuniting after decades of separate lives, reminiscing about a political movement that electrified the moment but has been mostly forgotten as the city weathered decades of war and rapacious commerce, becoming mired in corruption and mountains of literal waste. The opening lines of white text on black give way to rich, expressive patches of ink carved up with stark white forms and fine lines, building a city through its architectural geometry and imperfections and through the body language of a street vendor negotiating his cart against heavy traffic and a young refugee shot dead in the street. The panels click along like a film reel, narrated by a Hakawati, a storyteller who speaks through the entire cast: cab driver, singer, author surrogate, mother and daughter in search of the sea, Greek chorus of trash shovelers questioning the nature of the narrative in which they find themselves. The three volumes grow progressively personal, and the art becomes more representational, stiffening into detailed figures cut out against their backgrounds like a black box stage play, delivering elegiac dialogue that dissects existence. All three volumes favor atmosphere over narrative as they wryly but earnestly ponder the refugee’s wandering out of time, a mother’s long-ago involvement in a movement, the machinery of political change, and historical amnesia.

Opaque but arresting.

Pub Date: Sept. 17, 2024

ISBN: 9781778430480

Page Count: 112

Publisher: The Invisible Press

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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