The chubby piglets are very small, the wolf big, bony, and very bad, in this sly retelling of the familiar tale. Moser (Those Building Men, 2000, etc.) relates it in formal language, toning down the traditional story line's violence but adding plenty of biting (so to speak) humor with expressively drawn figures in deceptively sunny rural landscapes. The first two piggies exude misplaced confidence, and though they meet their ends offstage, the sight of the bloated wolf reclining amidst the wreckage between a bucket of clean bones and an empty jar of Bubba's BBQ Sauce (Moser decorates the label with a self-portrait) will leave no doubt as to their fate. The third pig does better, building his house with "No Wolf Brick" and following through with the traditional trip to the turnip field (boiling them in a "Lupus Ware" pot), the apple orchard, and the fair. He is last seen enjoying a tasty stew, made from "My Mama's Wolf Stew with Garlic," wearing wolfie slippers, and sporting a positively diabolical expression of satisfaction. Never has that big bad wolf been better served. (Picture book/folktale. 6-8)
Pub Date: April 1, 2001
ISBN: 0-316-58544-0
Page Count: 32
Publisher: Little, Brown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2001
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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