The usual Cornwell bull’s-eye.
Beset by the plague and those hellacious Dominican inquisitors, the sure-shot hero of Cornwell’s Archer series (Vagabond, 2002, etc.) continues his eventful search for the Holy Grail.
Armed with his own Weapon of Mass Destruction, the deadly English longbow Thomas Hookton, né (on the wrong side of the sheets) Vexille, has made it through the battle of Crecy and torture at the hands of a Dominican madman, comforted by a succession of equally tough and healthy young ladies, to arrive at last in the Languedoc, the southern French country where the Vexilles, before falling into the Cathar heresy, were lords of Astarac and where the few clues left by Thomas’s father seem to lead to the holy relic. Accompanied by Robbie Douglas, the tough young Scot he rescued in Vagabond and by landless, one-eyed, Norman turncoat Sir Guillaume D’Evecque, and backed by his own posse of longbowmen, Thomas has seized the stronghold of Castillon d’Arbazon in order to lure his ruthless crypto-Cathar cousin Guy Vexille to the neighborhood. Guy and Thomas each believe the other holds the clues to the location of the Grail that everybody is sure the Vexilles held and hid. Everybody, that is, except the spectacularly cynical Cardinal Archbishop Louis Bessieres, who has imprisoned a gifted Parisian goldsmith and his doxy with orders to run up a state-of-the-art fake, which, once planted and then “discovered,” will put the Cardinal in the papal throne at Avignon. There is, of course, a lovely lass for Tom in Castillon d’Arbazon. She’s Genevieve, scheduled for burning by a creepy fanatic priest who decided, after some lustful torture, that she’s a heretic. Lissome, blond, and a quick student of the crossbow, Genevieve, property of the devil though she may be, is just the gal for our archer, and together they take on the Cardinal, Guy, the local baron, and any number of Genoese crossbowmen, and, as the Black Plague arrives, get their hands on the box that leads to the cup of everyone’s dreams.
The usual Cornwell bull’s-eye.Pub Date: Oct. 7, 2003
ISBN: 0-06-053049-9
Page Count: 352
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2003
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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