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LITTLE RED RIDING HOOD

A splendid starter tale that will prepare children for the many more-complex versions that await.

A solid retelling of the familiar fairy tale geared for younger children.

Ford hews to the basic plot most everyone can tell in their sleep: Little girl wears red hood all the time, is sent to Grandma’s with a basket of goodies and multiple parental warnings, ignores warnings and talks to wolf, etc. For all its familiarity and easy reading level, the text holds itself to a high standard. The “big, bad, wicked old wolf” “slink[s]” out of the woods; Little Red Riding Hood stops to “dilly-dally”; the woodsman investigates the “commotion” inside Grandma’s house. Understated humor keeps the tone light: “Although it was a little dim inside, [Little Red Riding Hood] could see that her grandmother looked a bit strange.” The canonical dialogue between Red and the wolf is preserved, though parents uneasy about the traditional ending will be happy to find that this wolf has a zipper in his belly through which Grandma exits bloodlessly. Knight’s watercolors are bright and cheery, the figures defined by thick, confidence-inspiring black lines. They vary from double-page spreads to vignettes that align themselves on the large white pages with the text, which is set in a comfortably large font with lots of space between the lines, making this a good bet for beginning readers as well.

A splendid starter tale that will prepare children for the many more-complex versions that await. (Picture book/fairy tale. 3-6)

Pub Date: April 2, 2013

ISBN: 978-1-907967-38-2

Page Count: 32

Publisher: Boxer Books

Review Posted Online: March 2, 2013

Kirkus Reviews Issue: March 15, 2013

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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THE GRUFFALO

The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)

Pub Date: June 1, 1999

ISBN: 0-8037-2386-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1999

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