by Betsy R. Rosenthal ; illustrated by Jago ‧ RELEASE DATE: April 1, 2015
Collective nouns have never been this much fun…or memorable.
Homonyms are used as mnemonic devices to help readers remember “A Wild Gathering of Collective Nouns.”
Cleverness abounds in Rosenthal’s latest, from the title to the backmatter, which presents a glossary—“ambush (tigers): an attack from a hiding place”—asking children to guess why the words are appropriate for each animal group. The tongue-in-cheek text never falters in its rhythm and rhyme. “Does a prickle of porcupines / feel any pain? / Can a flush of mallards / get sucked down the drain?” The illustrations are a perfect match for the text’s wit. Three heavily bandaged porcupines lie in hospital beds, a sink between two of them. The convoluted pipes under the sink twist and turn across the gutter to discharge both water and mallards in an underground tunnel. A sleuth of bears, complete with magnifying glasses and fedoras, investigate a murder of crows. Three kangaroos belong to a troop, collecting dues and selling cookies while wearing sashes sewn with patches. Other highlights from the 33 featured animals include a shiver of sharks sporting scarves, a bouquet of pheasants arranged in a vase, a dancing rhumba of rattlesnakes and a lounge of lizards in the sun by the pool. Jago’s illustrations walk the line between cartoon and realistic, his animals only anthropomorphized if the text suggests it. All are painted on canvas, which supplies a pleasing texture.
Collective nouns have never been this much fun…or memorable. (Informational picture book. 5-9)Pub Date: April 1, 2015
ISBN: 978-1-4677-1464-8
Page Count: 32
Publisher: Millbrook/Lerner
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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by Kwame Alexander & illustrated by Tim Bowers ‧ RELEASE DATE: Sept. 1, 2011
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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