A REALLY SHORT HISTORY OF NEARLY EVERYTHING

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A REALLY SHORT HISTORY OF NEARLY EVERYTHING

Name: A REALLY SHORT HISTORY OF NEARLY EVERYTHING
Author: Bill Bryson
ISBN: 978-0-385-73810-1

by Bill Bryson ‧ RELEASE DATE: Oct. 27, 2009

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In this abridged and illustrated version of his Short History of Nearly Everything (2003), Bryson invites a younger crowd of seekers on a tour of time, space and science—from the Big Bang and the birth of the solar system to the growth and study of life on Earth. The single-topic spreads are adorned with cartoon portraits of scientists, explorers and (frequently) the author himself, which go with small nature photos and the occasional chart or cutaway view. Though occasionally subject to sweeping and dubious statements—“There’s no chance we could ever make a journey through the solar system”—Bryson makes a genial guide (“for you to be here now, trillions of drifting atoms had somehow to come together in a complicated and obliging manner to create you”), and readers with even a flicker of curiosity in their souls about Big Ideas will come away sharing his wonder at living in such a “fickle and eventful universe.” (index) (Nonfiction. 11-13)

Pub Date: Oct. 27, 2009

ISBN: 978-0-385-73810-1

Page Count: 176

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2009

Categories:

CHILDREN'S SCIENCE & TECHNOLOGY

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MONSTER MATH

by Anne Miranda & illustrated by Anne Miranda ‧ RELEASE DATE: Aug. 1, 1999

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Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)

Pub Date: Aug. 1, 1999

ISBN: 0-15-201835-2

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S HOLIDAYS & CELEBRATIONS | CHILDREN'S SCIENCE & TECHNOLOGY

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BRIAN'S RETURN

by Gary Paulsen ‧ RELEASE DATE: Jan. 1, 1999

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Paulsen brings the story he began in Hatchet (1987) and continued in the alternate sequels The River (1991) and Brian’s Winter (1996) around to a sometimes-mystical close. Surviving the media coverage and the unwanted attention of other high school students has become more onerous to Brian than his experiences in the wild; realizing that the wilderness has become larger within him than the need to be with people, Brian methodically gathers survival equipment—listed in detail—then leaves his old life behind. It takes some time, plus a brutal fight and sessions with a savvy counselor, before Brian reaches that realization, but once out under the trees, it’s obvious that his attachment to the wild is a permanent one. Becoming ever more attuned to the natural wonders around him, he travels over a succession of lakes and streams, pausing to make camp, howl with a wolf, read Shakespeare to a pair of attentive otters and, once, to share a meal with an old man who talks about animal guides and leaves a medicine bundle for him. Readers hoping for the high adventure of the previous books may be disappointed, as Brian is now so skilled that a tipped canoe or a wild storm are only inconveniences, and even bears more hazard than threat; still, Paulsen bases many of his protagonist’s experiences on his own, and the wilderness through which Brian moves is vividly observed. Afterword. (Fiction. 11-13)