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THE MOTHER TONGUE

Name: THE MOTHER TONGUE
Author: Bill Bryson
ISBN: 0380715430

by Bill Bryson ‧ RELEASE DATE: July 17, 1990

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A merry and bright Baedeker to the English language, its history, character, and probable future. American expatriate (to Britain) Bryson proves a witty and knowing guide here, with scarcely a trace of the sneer that spoiled his popular tour of small-town America, The Lost Continent (1989). Instead, a gentle humor, enamored of oddities, warms his discussion of the origins of English, its evolution and current world dominance (so that even in Tokyo, he says, one will find English warnings to motorists: "When a passenger of the foot heave in sight, tootle the horn"). Constantly striving to amuse, Bryson at times seems to be compiling merely a Ripley's of English as bizarre facts stream by in dizzying array: a list of weird American place-names including Dull, Tennessee, Ding Dong, Texas, and "the unsurpassable Maggie's Nipples, Wyoming"; a list of some of the 1,685 words that Shakespeare donated to the language (including "critical," "fretful," "obscene," and "gust"); and so on. But Bryson's passion for words shines throughout, and chapters on how English evolved from Indo-European and Anglo-Norman roots, and on its virtues and vices in spelling, pronunciation, and grammar invigorate potentially dull subjects ("English grammar is so complex and confusing," he points out, "for the one very simple reason that its rules and terminology are based on Latin—a language with which it has precious little in common"). Lively chapters on swearing, wordplay (crosswords, palindromes, anagrams—"mother in law = woman Hitler"—etc.), and the language's bright tomorrow close Bryson's upbeat account. An erudite delight, sure to captivate many.

Pub Date: July 17, 1990

ISBN: 0380715430

Page Count: 276

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 14, 2011

Kirkus Reviews Issue: June 15, 1990

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE BODY
by Bill Bryson

- BOOK REVIEW
THE ROAD TO LITTLE DRIBBLING
by Bill Bryson

- BOOK REVIEW
ONE SUMMER
by Bill Bryson

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.