An authentic, if overpadded, document of the Vietnam era.
The menace of the Viet Cong pales beside the tantrums of a fussy newborn in these tense, ardent letters between a soldier and his put-upon wife.
This second volume of the Clarks’ letters, covering Bill’s tour as a U.S. Army Special Forces captain in Vietnam from March to September 1971, begins with the birth of their son, Billy, an event that rocks Donna like the Tet Offensive. With Donna torn between a mother’s love and the squalling, pooping, grabbing, hair-pulling reality of a difficult baby, her conflicted letters express adoration and resentment in the same breath—“Billy’s screaming up a storm, he’s so cute.” She develops a severe case of postpartum depression that leads to a near breakdown: “I feel like just getting away and never returning,” she confesses and adds, “I’m not kidding about the fact that I could almost kill myself.” Meanwhile, Bill is as supportive of Donna’s violent mood swings as he can be from almost 10,000 miles away; he even volunteers to have a vasectomy to appease her dread of further pregnancies. There’s both prickliness and ardent passion in the Clarks’ correspondence; along with Donna’s anxiety about her figure, her threats to give away Bill’s incontinent dog and their mutual suspicions of infidelity, there are countless gushing protestations of love—“Honey, I want you so bad I want to hold you, squeeze your breasts and thighs into my body, and cry”—and yearning countdowns to their reunion. In between the moments of crisis, tension and romantic effusion are long stretches of banality. Donna’s everyday routine—“Then Mom, Billy and I went to Burdine’s and I bought a mattress pad”—fills letter after letter. Bill mentions occasional decapitations and mass casualties in passing, but the sheer ennui of base life—“I wish I had something to write about, but I just don’t”—predominates in his missives. Moon shots and the counterculture—“Talk about gross….the guys’ hairdos are unreal”—go on in the background, but the Clarks stay raptly absorbed in the minutiae of personal life. The collection could have benefitted from a stern editor, but it does vividly convey the small dramas of a typical military family.
An authentic, if overpadded, document of the Vietnam era.Pub Date: April 14, 2012
ISBN: 978-1468021370
Page Count: 288
Publisher: CreateSpace
Review Posted Online: June 22, 2012
Review Program: Kirkus Indie
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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