Wholly engrossing narrative of a crowning example of catastrophic hubris.
Matsen (Descent: The Heroic Discovery of the Abyss, 2005, etc.) provides an intriguing postmortem of design-safety compromises on the “Ship of Dreams.”
The author’s point of entry into the story is the diving team of John Chatterton and Richie Kohler, stars of the TV series Deep Sea Detectives. They wanted to resolve why the mighty ship sank only two-and-a-half hours after hitting an iceberg on April 15, 1912. By contrast, sister ship Olympic had survived and made it to port after colliding with a Royal Navy cruiser in 1911 and sustaining damage so severe it took six weeks to repair. In 2005, Chatterton and Kohler descended to the wreck in two Russian submersibles and, with the help of a maritime forensics analyst and an imaging technician, pieced together what happened to Titanic. It had grounded on the iceberg, not just sideswiped it, thereby scraping the bottom of its hull and opening an additional fatal hole. When not discussing the dive’s planning, execution and analysis of its findings, Matsen focuses on the crucial decisions made during Titanic’s construction by three men: chief designer Thomas Andrews, who went down with his ship; White Star Line chairman Bruce Ismay; and Lord William Pirrie, head of the Belfast shipbuilding firm Harland and Wolff. Heeding Ismay’s insistence that they reduce costs and space, Andrews reluctantly used the Board of Trade’s specifications for the amount of steel in the hull and the number of lifeboats required, rather than the additional quantities of each that he deemed safe for a ship of this size. A dive into the wreck of the Britannic, which sunk after striking a German mine in 1916, strongly suggested that Pirrie and Ismay, knowing Titanic’s expansion joints were weak, sought to bolster them on its companion vessel. The divers ultimately concluded that Titanic’s designer, builder and owner “had sent a ship to sea not knowing if it was strong enough to survive.”
Wholly engrossing narrative of a crowning example of catastrophic hubris.Pub Date: Oct. 1, 2008
ISBN: 978-0-446-58205-6
Page Count: 326
Publisher: Twelve
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2008
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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