Garrett combines groundbreaking research with clear writing and moral outrage.
Garrett (Law/Univ. of Virginia; Convicting the Innocent: Where Criminal Prosecutions Go Wrong, 2011, etc.) presents research on criminal behavior by corporations in the United States and overseas.
According to certain statutes in U.S. law, corporations can be treated like individual people. However, attempting to prosecute corporations for criminal behavior is much more difficult than prosecuting individual defendants for nearly any charge. Garrett, who previously focused on wrongful convictions of individual murderers and rapists, examines prosecutors who have decided to charge corporations with crimes—or decided against it, even though victims abounded. Since no government agency or private group has collected reliable data about prosecutions of corporations by the federal government, state governments or county-based district attorneys, Garrett describes how he developed a database, as well as the holes in the data. He finds that federal prosecutors, despite their vaunted powers, are cast in the role of David, not Goliath, when seeking to punish multinational corporations with nearly unlimited budgets to hire lawyers. The prosecutors courageous enough to mount cases against corporations fail to go after high-level individuals within those corporations, lessening any deterrence effect. While Garrett is mostly pessimistic about the ability of prosecutors to reduce corporate crime or to properly compensate the victims, he does find a few promising minitrends. These include trying to alter corporate culture through deferred prosecutions and asking judges to appoint objective monitors to oversee corporate practices. The author finds unique hope in the prosecution of Siemens (ranked in the top 50 of the Fortune Global 500 list of largest corporations in the world), which admitted wrongdoing and seems determined, under current leadership, to act ethically while maintaining profits originally thought to emanate in part from bribery and other unsavory activities.
Garrett combines groundbreaking research with clear writing and moral outrage.Pub Date: Nov. 1, 2014
ISBN: 978-0674368316
Page Count: 372
Publisher: Belknap/Harvard Univ.
Review Posted Online: Aug. 25, 2014
Kirkus Reviews Issue: Sept. 15, 2014
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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