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THE YUCKIEST, STINKIEST, BEST VALENTINE EVER

Get this now—it’s better than candy.

Get ready to enjoy a laugh-out-loud, fast-paced adventure involving a secret crush, a runaway valentine with an attitude and lots of candy.

Leon has a huge crush on Zoey Maloney. He cuts out a big red heart and reveals his feelings. All seems well until the valentine—depicted with wide-eyed disbelief and an oversized mouth—declares, “PUL-EESE! You can’t tell [her] you love her! / …It’s mushy and gross and just plain YUCKY!” Leon thinks Valentine’s Day is all about love; the heart is sure it “is all about candy.” So, he leaps out the window to escape having to proclaim Leon’s affections. What ensues is a hilarious chase that progressively gathers more and more people—boys, girls and teens—who all weigh in on whether the valentine should go to the girl of Leon’s dreams. Ferber gets the character development and dialogue just right. The heart is silly but a tough talker, and in contrast, Leon is earnest and determined. The urgent chase is propelled by quick descriptions that make readers want to turn the pages even faster. Arnold, illustrator of the Fly Guy series, digitally creates varied spreads that look like a super-size version of a Sunday comic strip. Bright with saturated colors, the focal point is always the spunky red heart that conveys an impressive range of funny facial expressions for such a little thing. All too soon, a spectacular crash in the candy store yields romantic results for both the valentine and Leon.

Get this now—it’s better than candy. (Picture book. 4-8)

Pub Date: Dec. 6, 2012

ISBN: 978-0-8037-3505-7

Page Count: 32

Publisher: Dial Books

Review Posted Online: Oct. 9, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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