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JIM HENSON

THE BIOGRAPHY

A solid biography that can be enjoyed by readers of more than one generation.

Biographer Jones (Washington Irving: An American Original, 2007) relies on strict chronology to tell the life of Muppets creator Jim Henson (1936–1990).

With the cooperation of the Henson family, the author portrays his subject as not only innovative, but also mostly upbeat and pleasant to work with. Since the Muppets are mostly feel-good creations and Henson was mostly a feel-good guy, the biographical narrative sometimes lacks tension. That is a minor shortcoming, however. Jones is masterful at explaining how Henson grew up to become a daring puppeteer and scriptwriter, how he managed to attract so much remarkable talent to his side, and how his stressful business relationship with the Disney Company might have aggravated the bacterial infection that weakened the normally healthy Henson, who died at age 53 while trying to negotiate the planned Disney purchase of the franchise. (Note: While there was speculation at the time of his death that the Disney negotiations had a detrimental effect on Henson's health, there is no medical proof that this was the case.) Jones does not ignore Henson's separation from his wife/creative partner, nor his extramarital affair with a much younger woman, but the downside of Henson's personality is not Jones' primary focus. In an era of pathography, this biography stands out as positive. The writing is clear throughout, and the chronological approach allows Jones to clearly demonstrate cause and effect. Forced to become a businessman to manage what became an unexpectedly large empire, Henson often struggled with the portion of his days that felt noncreative. Jones continually shows that Henson left the world a better place, which serves as the book's theme. The author ably shows many reasons why Kermit the Frog, Miss Piggy and many other Henson creations are recognizable more than two decades after his death.

A solid biography that can be enjoyed by readers of more than one generation.

Pub Date: Sept. 24, 2013

ISBN: 978-0-345-52611-3

Page Count: 592

Publisher: Ballantine

Review Posted Online: June 24, 2013

Kirkus Reviews Issue: July 15, 2013

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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