by Brian L. Kieran ‧ RELEASE DATE: March 30, 2011
Short, dense history that adds to the critical mass of understanding and remembering the past.
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Kieran draws a piquant, thorough picture of the woeful but gallant retreat of the British army under the command of Sir John Moore before superior numbers of French soldiers.
In 1808, the British army ventured into Spain in an attempt to thwart Napoleon’s designs upon the peninsula. It was a disastrous military foray, one in which politicians had too big an influence. The British army, one-tenth the size of the French force, had expected assistance from the Spanish army, but that was wishful political thinking. Moore, the British officer who had made his name revolutionizing light infantry tactics, “wrote...of the weakness of the Spanish Army, the defenceless state of the country, the apathy of the people and the utter unreliability of the government.” He soon discovered that the operation was a logistical mess—no boots, no transport, no food—with the weather beyond abysmal: sleet, snow, freezing mud, etc. His “objective of saving the British Army” was reduced to disembarkation at Corunna. As the politicians bickered back home, Moore led an increasingly “turbulent and depraved” army through the dark, wintry Galicia Mountains, his men failing in discipline: “Moore tried to send the 95th forward but gave up in the end as they were so drunk.” However, with the gumption that came from knowing the French forces weren’t far behind, and were happy to carve you to pieces, they made it to port, engaged in an epic battle—during which Moore was fatally wounded—and made their escape. Kieran is a crisp, concise writer who tames the maddeningly complex operation: “Sir John Cradock was apprehensive when the French reached Badajos. Stewart was recalled in view of the danger from the French Forces at Badajos. Shortly thereafter the French were recalled to Madrid and crossed the River Tagus to join Napoleon.” There is a pleasing dash in Kieran’s writing—“Peril was about”—and by including photographs of medals won during the encounter, he brings a human touch to a battle now 200 years old.
Short, dense history that adds to the critical mass of understanding and remembering the past.Pub Date: March 30, 2011
ISBN: 978-1452052472
Page Count: 92
Publisher: AuthorHouseUK
Review Posted Online: May 18, 2016
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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