Mulligan is the perfect guide to a town in which the only ways to get things done are to be connected to the right people or...
The smallest state bursts with crime, corruption, wisecracks and neo-noir atmosphere in DeSilva’s blistering debut.
Someone’s set seven fires in the Mount Hope section of Providence. Arson for profit is all too common in the city’s history, but these buildings were owned by different people and insured by different companies. So Ernie Polecki, indolent Chief Arson Investigator, and his incompetent assistant Roselli, the mayor’s cousin, assume that they’re the work of a firebug. So do the DiMaggios, the vigilante crew who patrol the nighttime streets with baseball bats. But not seen-it-all reporter Liam Mulligan. His festering ulcer, estrangement from his harpy wife Dorcas and romance with his young Princeton-trained colleague Veronica Tang, who won’t have sex with him till he gets tested for HIV, haven’t absorbed all his energy. Shrugging off the insistence of city editor Ed Lomax that he file a story on a dog who ran across the country from Oregon to rejoin his relocated owners (a hilarious episode that shows just how desperate his professional situation is), Mulligan homes in on the developing story. His interest is fueled by the number of interested parties he just happens to be close to—from his prom date Rosella Morelli, now Battalion Chief of the fire department, to his burned-out bookie, Dominic “Whoosh” Zerilli—and by the arsonist’s apparent determination to torch every structure in Rhode Island’s capital. At length the mounting toll includes homes, storefronts, people and Mulligan’s questionable peace of mind. When the lead he’s supplied investigators goes sour and his own life is threatened, he has no choice but to trust the cub reporter he’s been saddled with—the publisher’s son, whom he calls Thanks-Dad—and the mobsters who’d be perfectly willing to set fires themselves, but who draw the line at killing women and children.
Mulligan is the perfect guide to a town in which the only ways to get things done are to be connected to the right people or to grease the right palms.Pub Date: Oct. 12, 2010
ISBN: 978-0-7653-2726-0
Page Count: 304
Publisher: Forge
Review Posted Online: July 23, 2010
Kirkus Reviews Issue: Aug. 15, 2010
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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