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THE RULES OF DREAMING

An exciting, original take on the literary mystery genre.

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A mind-bending marriage of ambitious literary theory and classic murder mystery.

In this intricately plotted novel, Hartman (winner of the Salvo Press Mystery Novel Award for Perfectly Healthy Man Drops Dead, 2008) spins the familiar trappings of gothic mystery together with a fresh postmodern sensibility, producing a story that’s as rich and satisfying as it is difficult to categorize. The narrative begins with Dr. Ned Hoffmann, a new psychiatrist at a mental institution in a small town. Barely in control of his own instabilities, Dr. Hoffmann struggles with demanding bosses and baffling patients, including the schizophrenic grown children of an opera singer who died under suspicious circumstances. When one of Dr. Hoffmann’s recent patients, Nicole, an anxious literature grad student, finally finds a topic for her dissertation, she discovers that life in her town is beginning to mirror art—in some disconcerting ways. Alongside a professional blackmailer, a scrappy librarian and other assorted meddlers and madmen, Dr. Hoffmann and Nicole slowly unspool a mystery that extends all the way back to artists of the romantic era. Hartman impressively turns literary theory into something sexy and menacing, weaving the real-life works of writer E.T.A. Hoffmann and composers Robert Schumann and Jacques Offenbach, among others, into his characters’ increasingly muddled lives. Sometimes the writing is self-conscious, as when Nicole says, “If you asked me about what’s been going on around here lately, I’d have to classify it as Post-Modern Neo-Gothic Horror.” For the most part, Hartman brings a light touch to potentially weighty material. Though the novel’s philosophical twists and turns are fascinating, the story also succeeds as an old-fashioned whodunit, and the writing is full of descriptive gems. At one point, the librarian looks at someone “over the tops of her trifocals, as if in the suspicion that none of their refractions would reveal the truth about him.” As Hartman skillfully blurs the lines between fiction and reality, the book becomes a profound meditation on art, identity and their messy spheres of influence.

An exciting, original take on the literary mystery genre.

Pub Date: May 19, 2013

ISBN: 978-0988918108

Page Count: 287

Publisher: Swallow Tail Press

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: July 1, 2013

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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