An exciting, original take on the literary mystery genre.
A mind-bending marriage of ambitious literary theory and classic murder mystery.
In this intricately plotted novel, Hartman (winner of the Salvo Press Mystery Novel Award for Perfectly Healthy Man Drops Dead, 2008) spins the familiar trappings of gothic mystery together with a fresh postmodern sensibility, producing a story that’s as rich and satisfying as it is difficult to categorize. The narrative begins with Dr. Ned Hoffmann, a new psychiatrist at a mental institution in a small town. Barely in control of his own instabilities, Dr. Hoffmann struggles with demanding bosses and baffling patients, including the schizophrenic grown children of an opera singer who died under suspicious circumstances. When one of Dr. Hoffmann’s recent patients, Nicole, an anxious literature grad student, finally finds a topic for her dissertation, she discovers that life in her town is beginning to mirror art—in some disconcerting ways. Alongside a professional blackmailer, a scrappy librarian and other assorted meddlers and madmen, Dr. Hoffmann and Nicole slowly unspool a mystery that extends all the way back to artists of the romantic era. Hartman impressively turns literary theory into something sexy and menacing, weaving the real-life works of writer E.T.A. Hoffmann and composers Robert Schumann and Jacques Offenbach, among others, into his characters’ increasingly muddled lives. Sometimes the writing is self-conscious, as when Nicole says, “If you asked me about what’s been going on around here lately, I’d have to classify it as Post-Modern Neo-Gothic Horror.” For the most part, Hartman brings a light touch to potentially weighty material. Though the novel’s philosophical twists and turns are fascinating, the story also succeeds as an old-fashioned whodunit, and the writing is full of descriptive gems. At one point, the librarian looks at someone “over the tops of her trifocals, as if in the suspicion that none of their refractions would reveal the truth about him.” As Hartman skillfully blurs the lines between fiction and reality, the book becomes a profound meditation on art, identity and their messy spheres of influence.
An exciting, original take on the literary mystery genre.Pub Date: May 19, 2013
ISBN: 978-0988918108
Page Count: 287
Publisher: Swallow Tail Press
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: July 1, 2013
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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