Illuminating and gritty, though Bacharach's remarks are occasionally self-serving.
Reminiscences of a master songwriter.
Compiled from interviews conducted by journalist Greenfield (The Last Sultan: The Life and Times of Ahmet Ertegun, 2011, etc.) with Bacharach and his associates, this oral memoir provides a congenial overview of a life devoted to music. Bacharach began reluctantly taking piano lessons as a child, then became smitten with classical and jazz compositions; they would later inspire him to bring a sophisticated palette to his own songs. After a few unspectacular years at the Brill Building, he hit the jackpot with lyricist Hal David; the two went on to create such iconic hits as “Baby, It’s You” for the Shirelles, “The Look of Love” for Dusty Springfield and “Raindrops Keep Fallin’ On My Head” for B.J. Thomas. Bacharach candidly details his transformation into a household name, his perfectionism in the recording studio and his sometimes-contentious relationships with David and the indomitable Dionne Warwick. The chanteuse acted as a muse for the pair and was aggrieved when they broke up their songwriting partnership after the colossal failure of their score for the 1973 box office bomb Lost Horizon. For decades, breaking up relationships was a specialty of Bacharach’s; many of the women in his life, including his first three wives, describe him as exuding a combination of ambition, ambivalence and arrogance. The most moving recollections come from Marlene Dietrich, who highly valued Bacharach as her conductor and accompanist on the road, and from ex-wife Angie Dickinson, who laments Bacharach’s decision to institutionalize their autistic daughter, Nikki. The specter of Nikki (who committed suicide in 2007) casts a shadow over the memoir. Whether Greenfield has purposely arranged the book this way or not, intertwining Dickinson’s interviews with Bacharach’s commentary paints a darker picture of the man whom most people identify with catchy love songs and cameo appearances in the Austin Powers films.
Illuminating and gritty, though Bacharach's remarks are occasionally self-serving.Pub Date: May 7, 2013
ISBN: 978-0-06-220606-0
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: March 30, 2013
Kirkus Reviews Issue: April 15, 2013
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
