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LOADING

An inventive body-horror jaunt for readers who like their social critique served up with a dollop of the grotesque.

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An alien intelligence invades the body of a virtual-pornography performer in Klarxon’s body-horror novel.

In a preface, the author isn’t joking when he warns that Loading “isn’t a story you’ll wanna tell at parties”; rather, it’s “what crawls out when the screen gets a hard-on for your eyeballs,” and his cleverly designed layout opens each chapter with a warning: “If you want to stop the installation process, press the ‘Esc’ key.” Marshall, born Markus Jensen, endured a nightmarish childhood—a dad who rejected him, a drug-addicted mom, and a raging bully of a stepfather—and things didn’t go much better after he hit college, where his ex-boyfriend put their sex tape all over the internet, shortly after their breakup. Now, Marshall is a 30-something sex worker in Thread City who entertains male clients out of his hotel room and uploads the resulting sex videos, all in a grab for attention and money, which he achieves—although he feels like he’s starting to lose his humanity. Marshall feels “empty” and “hollow,” which, it turns out, makes him the perfect vehicle for a concoction someone feeds him during a feral orgy with 12 men. As it turns out, the participants have more than sex on their minds; they’re apostles of a new kind of god, merging humanity and computer code, which now gestates inside Marshall. It won’t take high technology for readers to figure out what Klarxon is getting at in this horror tale—in fact, he lays it all out in his introduction: It’s about our “hunger for content . . . a portrait of a world where nothing’s too extreme, too private, too sacred to be sold.” The author is obviously a gifted writer with a strong, if clangorous, voice (“His veins, he could see them, feel them, glowing from within, / blue lightning beneath translucent, alien skin”); a social conscience; and a salient point to make. Readers who don’t mind this book’s general lack of subtlety are sure to love it.

An inventive body-horror jaunt for readers who like their social critique served up with a dollop of the grotesque.

Pub Date: today

ISBN: 9798899655951

Page Count: 156

Publisher: Surrender Point Press

Review Posted Online: today

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE CRASH

Soapy, suspenseful fun.

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A remembered horror plunges a pregnant woman into a waking nightmare.

Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.

Soapy, suspenseful fun.

Pub Date: Jan. 28, 2025

ISBN: 9781464227325

Page Count: 384

Publisher: Poisoned Pen

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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