A hurricane, passing over southern Florida, leaves in its untidy wake the usual Hiaasen carnival of knaves and fools. Listen up now, because there's going to be a quiz on how the hurricane changes everybody's plans. Animal farmer Augustine Mojaki suddenly finds himself on the road hunting down a covey of escaped snakes, monkeys, rare birds, and the occasional water buffalo. Advertising exec Max Lamb, determined to spice up his honeymoon with bride Bonnie by videotaping the storm's devastation, falls into the clutches of Skink, a demented one-eyed kidnapper. Edie Marsh, who came to the Sunshine State planning to seduce and file rape charges against one of the younger male Kennedys, joins forces with a recent manslaughter alumnus to fake an insurable accident, but then lucks into smarmy trailer salesman Tony Torres's plot to scam his own insurer and, incidentally, his estranged wife. Tony is in turn urgently sought by professional goon Ira Jackson, bent on avenging the mother who died in one of the double-wides Tony guaranteed would withstand gale-force winds, and by Ira's trailer-park neighbor Levon Stichler, bereft not of his wife but of the urn containing her ashes. Jim Tile, the black highway patrolman sworn to protect Skink's anonymity—did we mention that the maniac kidnapper is also a former governor of Florida?—gets derailed when his intimate fellow officer Brenda Rourke is savagely beaten after a routine roadside pullover—as if anything routine ever happened in this riotously corrupt world. And don't worry about the cast members: When they wear out, Hiaasen just slips new ones into the deck. Here's the quiz, then: Is a new bride abandoned by her husband more likely to find happiness with a peripatetic zookeeper or the husband's kidnapper? Lacks the powerfully satiric center that gave Strip Tease (1993) such an edge, but sinfully madcap all the same. If you're not laughing by page six, you need a complete checkup.
Pub Date: Aug. 24, 1995
ISBN: 0-679-41982-9
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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