A hurricane, passing over southern Florida, leaves in its untidy wake the usual Hiaasen carnival of knaves and fools. Listen up now, because there's going to be a quiz on how the hurricane changes everybody's plans. Animal farmer Augustine Mojaki suddenly finds himself on the road hunting down a covey of escaped snakes, monkeys, rare birds, and the occasional water buffalo. Advertising exec Max Lamb, determined to spice up his honeymoon with bride Bonnie by videotaping the storm's devastation, falls into the clutches of Skink, a demented one-eyed kidnapper. Edie Marsh, who came to the Sunshine State planning to seduce and file rape charges against one of the younger male Kennedys, joins forces with a recent manslaughter alumnus to fake an insurable accident, but then lucks into smarmy trailer salesman Tony Torres's plot to scam his own insurer and, incidentally, his estranged wife. Tony is in turn urgently sought by professional goon Ira Jackson, bent on avenging the mother who died in one of the double-wides Tony guaranteed would withstand gale-force winds, and by Ira's trailer-park neighbor Levon Stichler, bereft not of his wife but of the urn containing her ashes. Jim Tile, the black highway patrolman sworn to protect Skink's anonymity—did we mention that the maniac kidnapper is also a former governor of Florida?—gets derailed when his intimate fellow officer Brenda Rourke is savagely beaten after a routine roadside pullover—as if anything routine ever happened in this riotously corrupt world. And don't worry about the cast members: When they wear out, Hiaasen just slips new ones into the deck. Here's the quiz, then: Is a new bride abandoned by her husband more likely to find happiness with a peripatetic zookeeper or the husband's kidnapper? Lacks the powerfully satiric center that gave Strip Tease (1993) such an edge, but sinfully madcap all the same. If you're not laughing by page six, you need a complete checkup.
Pub Date: Aug. 24, 1995
ISBN: 0-679-41982-9
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1995
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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