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MAGNETIZED

CONVERSATIONS WITH A SERIAL KILLER

A truly visceral read that will not let readers look away.

In his second book, Busqued unnerves and entertains readers with this forensic tale synthesized from more than 90 hours of dialogue with a serial killer.

The author’s interviews with Ricardo Melogno detail not only his crimes, which took place during one week in 1982, but also his motivations—or lack thereof—and the killer’s fascinating, disturbing psyche. When asked by the narrator, Melogno readily admitted to shooting four taxi drivers at point-blank range. However, when pressed about why he did it, he was unable to offer a satisfying answer. According to the court investigator who arrested Melogno, he waited until “something indicated ‘that one’ to him. He could sense it, but he didn’t know how or why. He couldn’t say why he killed them, or how he chose them.” From there, readers embark on a dark journey into Melogno’s childhood, when he was largely neglected but occasionally accompanied his abusive mother to spiritual and healing ceremonies. “My mother used religion as a weapon: she beat the living daylights out of me, but she’d say it wasn’t her who was beating me, it was God punishing me through her.” Due to his upbringing, Melogno developed superstitions and beliefs in certain dark arts: “In all those places my mother took me…well, everyone said that I had this strong ability for channeling that I had inherited from her.” Due to his presence and his behavior, described by some as an “evil streak,” many inmates and guards feared him, a situation Melogno describes with particular intensity. Though this book is short, it packs a hard punch, from the first page—Busqued’s first comment to Melogno: “I was told that someone saw you levitate”—through the artfully rendered interview process with criminal, arresting officers, and psychiatrist. The narrative is perfect for anyone fascinated by the criminal mind, the distinctions between mental illness and possession, or the concept of predestined evil.

A truly visceral read that will not let readers look away.

Pub Date: June 2, 2020

ISBN: 978-1-948226-68-4

Page Count: 192

Publisher: Catapult

Review Posted Online: Feb. 6, 2020

Kirkus Reviews Issue: March 1, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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