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LIVING’S THE STRANGE THING

Beautiful, extremely moving in its outline and sentiments, but a much different matter on the page: overlong, rambling,...

Ponderous account of a woman coming to terms with the death (and life) of her mother, as related by Spanish novelist Gaite (The Farewell Angel, 1999, etc.) in a deeply obsessive, introspective voice.

Águeda Soler, a 35-year-old graduate student in Madrid, works as a library archivist by day and devotes her spare time to the evolving draft of her dissertation, a study of an obscure 18th-century adventurer who roamed through Europe and South America in search of wealth and influence. Meantime, Águeda has a boyfriend named Tomas, an architect who is frequently away on business. As the story opens, Agueda is summoned to her grandfather’s nursing home, where the director asks her whether she would be willing to impersonate her recently deceased mother in order to spare her ailing grandfather the shock of learning of his daughter’s death. Somewhat taken aback, Águeda promises to consider the request and returns home. As she then goes about her daily chores, she is overwhelmed by a flood of memories and dreams of her family and home. Like most of us, she has ambivalent feelings about her parents: Her father (still alive) and her mother divorced while Águeda was a girl, and for years before her mother’s death she had little contact with either parent. Her mother was a well-known painter, and her death was widely noted in the press. As she packs up her mother’s artwork and belongings, Águeda comes to feel an identification with her that she had always resisted as a child, and she returns to the nursing home ready to take on the strange new role.

Beautiful, extremely moving in its outline and sentiments, but a much different matter on the page: overlong, rambling, monotonous.

Pub Date: Aug. 1, 2004

ISBN: 1-84343-037-1

Page Count: 204

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2004

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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