A fine, imported anthology, subtitled ``Poems About Death and Loss,'' of simple but sophisticated poems about the mystery, grief, fear, and occasional gallows humor that surround death. Duffy, a well-known British poet, closes the book with the only work of her own that she has included, ``And Then What,'' after ushering readers through the works of the familiar W.H. Auden (``Funeral Blues''), Emily Dickinson (``Because I Could Not Stop for Death''), and Dylan Thomas (``Do Not Go Gentle Into That Good Night''), and less familiar (to young readers) but no less worthy poets, such as James Sykes (``How Can You Write a Poem When You're Dying of AIDS?'') and Michael Longley (``Detour''). The selections express many of the attitudes people have felt about death: awe, horror, pain, irreverence. There are some that are reassuring, addressing the imperviousness toward death of children who fail to recognize their own mortality (e.g., ``Dead Dog'' by Vernon Scannell: ``I can't remember any feeling but/a moderate pity, cool, not swollen-eyed/. . . My lump of dog was ordinary as bread''). It's unfortunate that there are so few notes on poets or the poems. Rafferty's black-and-white sketches add a light touch, while also capturing the tone of many of the poems. Fans of Duffy's earlier I Wouldn't Thank You for a Valentine (1994) will be equally satisfied with this collection. (index) (Poetry. 11+)
Pub Date: June 1, 1996
ISBN: 0-8050-4717-4
Page Count: 134
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1996
Small but mighty necessary reading.
A miniature manifesto for radical queer acceptance that weaves together the personal and political.
Eli, a cis gay white Jewish man, uses his own identities and experiences to frame and acknowledge his perspective. In the prologue, Eli compares the global Jewish community to the global queer community, noting, “We don’t always get it right, but the importance of showing up for other Jews has been carved into the DNA of what it means to be Jewish. It is my dream that queer people develop the same ideology—what I like to call a Global Queer Conscience.” He details his own isolating experiences as a queer adolescent in an Orthodox Jewish community and reflects on how he and so many others would have benefitted from a robust and supportive queer community. The rest of the book outlines 10 principles based on the belief that an expectation of mutual care and concern across various other dimensions of identity can be integrated into queer community values. Eli’s prose is clear, straightforward, and powerful. While he makes some choices that may be divisive—for example, using the initialism LGBTQIAA+ which includes “ally”—he always makes clear those are his personal choices and that the language is ever evolving.
Small but mighty necessary reading. (resources) (Nonfiction. 14-18)Pub Date: June 2, 2020
ISBN: 978-0-593-09368-9
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
Brief yet inspirational, this story will galvanize youth to use their voices for change.
Testa’s connection to and respect for nature compelled her to begin championing animal causes at the age of 10, and this desire to have an impact later propelled her to dedicate her life to fighting plastic pollution. Starting with the history of plastic and how it’s produced, Testa acknowledges the benefits of plastics for humanity but also the many ways it harms our planet. Instead of relying on recycling—which is both insufficient and ineffective—she urges readers to follow two additional R’s: “refuse” and “raise awareness.” Readers are encouraged to do their part, starting with small things like refusing to use plastic straws and water bottles and eventually working up to using their voices to influence business and policy change. In the process, she highlights other youth advocates working toward the same cause. Short chapters include personal examples, such as observations of plastic pollution in Mauritius, her maternal grandparents’ birthplace. Testa makes her case not only against plastic pollution, but also for the work she’s done, resulting in something of a college-admissions–essay tone. Nevertheless, the first-person accounts paired with science will have an impact on readers. Unfortunately, no sources are cited and the lack of backmatter is a missed opportunity.
Brief yet inspirational, this story will galvanize youth to use their voices for change. (Nonfiction. 12-18)Pub Date: Oct. 13, 2020
ISBN: 978-0-593-22333-8
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: July 26, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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