Next book

GOD'S SALESMAN

NORMAN VINCENT PEALE AND THE POWER OF POSITIVE THINKING

A sympathetic biography of the controversial preacher that situates him in the mainstream of the American populist religious tradition. Although no longer a household word, Peale's name was synonymous not long ago with middle-class Protestantism. His most important book, The Power of Positive Thinking, towered over the bestseller lists in the early 1950's, while his magazine, Guideposts, still boasts a circulation of four million. His power base consisted mostly of middle-aged women, who flocked to his doctrine of ``Practical Christianity''—an upbeat, unorthodox teaching based on ancient folk beliefs that regard God as a ``Higher Consciousness'' whose divine energy is accessible to anyone who practices ``positive thinking'' (a gussied-up version, detractors might suggest, of Peter Pan's counsel for flying through happy thoughts). As George (History/Hobart and William Smith Colleges) shows, Peale's lessons had their roots in Emerson and William James, and led to today's human-potential movement. During his heyday, Peale was excoriated by intellectuals (a result, George suggests, of liberal intolerance for Peale's strident anti-Communism). George, however, grinds no axes, offering a balanced account of her subject's life—from his serene childhood through his meteoric ascension as a nondenominational preacher at N.Y.C.'s Marble Collegiate Church to his near-disgrace in 1960 when he injected anti-Catholic rhetoric into the Kennedy-Nixon campaign. Despite this gaffe, Peale comes off here as a vigorous, sincere, red-white-and-blue proselytizer for a Yankee Doodle brand of Protestantism. That his religion marketed God as a friend to all and won the hearts of housewives and salesmen (thus the book's double-edged title) is, for George, neither a plus nor a minus but simply an intriguing and well-told chapter in the history of the American socioreligious consciousness. Peels the layers off ``Pealeism'' (George's coinage) with intelligence and tact: first-rate. (Thirty halftones—not seen.)

Pub Date: Jan. 1, 1993

ISBN: 0-19-507463-7

Page Count: 288

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1992

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview