A fine tribute to the local color of Sugar Hill, who have made America a better and more interesting country for almost a...
Weatherford’s poetic, swinging textual rhythms meet Christie’s artistic razzmatazz to create one hot picture book.
A historic and cultural tour of Harlem’s famous neighborhood, the book drops names aplenty. Miles Davis, Lena Horne, Zora Neale Hurston, Thurgood Marshall and W.E.B. Du Bois, among others, all lived and thrived in this center of African-American life and art—a place that has also always nurtured black children into productive lives through the arts, literature, and the love and attention of caring adults. Sparsely detailed but action-packed, Christie’s illustrations echo the lives of the star-studded cast of characters. Faith Ringgold’s page, for instance, features the Brooklyn Bridge and a young girl who could just as easily be Cassie from Ringgold’s Tar Beach (1991) as the young Ringgold herself. The backmatter offers biographical blurbs that emphasize the longitudinal impact this neighborhood has had on Harlem and on the nation; birthdates begin in 1868 (Du Bois) and end in the present with those who are still producing art today (Sonny Rollins, the “Saxophone Colossus,” and Ringgold, both 82 years old at the time of this review).
A fine tribute to the local color of Sugar Hill, who have made America a better and more interesting country for almost a century. (Informational picture book. 7-9)Pub Date: Feb. 1, 2014
ISBN: 978-0-8075-7650-2
Page Count: 32
Publisher: Whitman
Review Posted Online: Dec. 17, 2013
Kirkus Reviews Issue: Jan. 15, 2014
The legions of fans who over the years have enjoyed dePaola’s autobiographical picture books will welcome this longer gathering of reminiscences. Writing in an authentically childlike voice, he describes watching the new house his father was building go up despite a succession of disasters, from a brush fire to the hurricane of 1938. Meanwhile, he also introduces family, friends, and neighbors, adds Nana Fall River to his already well-known Nana Upstairs and Nana Downstairs, remembers his first day of school (“ ‘ When do we learn to read?’ I asked. ‘Oh, we don’t learn how to read in kindergarten. We learn to read next year, in first grade.’ ‘Fine,’ I said. ‘I’ll be back next year.’ And I walked right out of school.”), recalls holidays, and explains his indignation when the plot of Disney’s “Snow White” doesn’t match the story he knows. Generously illustrated with vignettes and larger scenes, this cheery, well-knit narrative proves that an old dog can learn new tricks, and learn them surpassingly well. (Autobiography. 7-9)
Pub Date: April 1, 1999
ISBN: 0-399-23246-X
Page Count: 58
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1999
Throughout my young days at school and just afterwards a number of things happened to me that I have never forgotten. . . . Some are funny. Some are painful. Some are unpleasant. I suppose that is why I have always remembered them so vividly." Vividly indeed: with the intimate, confiding tone of a born storyteller, Dahl turns each of his family/school memories into a miniature adventure, thriller, or horror-story—with the earthy emphasis on pleasure (food, comradeship), fear, and pain. After a brief, charming slice of family-history, explaining how his Norwegian parents came to live and prosper in Wales, Dahl gets right down to business. From the years at Llandaff Cathedral School (ages 7-9, 1923-25), there's a candy-by-candy tribute to the local sweet-shop, site of "The Great Mouse Plot": Roald and friends, fed up with the meanness of filthy sweet-shop-owner Mrs. Pratchett, secretly put a dead mouse in the Gobstopper jar—but suffered mightily for their glorious prank. (Mrs. P. reported the crime to the Headmaster—unleashing the first of many school-career canings, all described in gruesome, technicolor detail.) Summer vacations in Norway are also recalled in a mixture of ecstasy—the fish, the scenery—and agony: an operation for adenoid removal without any anesthetic. And the extremes of pleasure and pain continue through Dahl's years at two English boarding schools: homesickness, sadistic Matrons and Masters, practical jokes, the indignities of "fagging" (warming up the toilet-seat for older boys), chocolates. . . and, always, the dreaded Headmaster's cane. ("By now I am sure you will be wondering why I lay so much emphasis upon school beatings in these pages. The answer is that. . . I couldn't get over it. I never have got over it.") Some readers may be put off by Dahl's style here—chatty, bedtime-story-ish, deceptively avuncular. Others might not take to the British references (no special explanations for a US audience), or the particularly British approach—full of bitter humor and odd relish—to grisly, gory matters. But those who've appreciated Dahl in various forms will find both the master of chills and the lover of chocolate here—in a fine, juicy collage of funny/awful boyhood highlights.
Pub Date: Dec. 1, 1984
ISBN: 0374373744
Page Count: -
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 16, 2011
Kirkus Reviews Issue: Nov. 15, 1984
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