One character’s coma is only the first surprise in this satisfying story of middle-aged love.
What if Snow White woke up and decided she didn’t much like Prince Charming?
Something like that happens in Leavitt's latest novel. New Yorkers Simon and Stella have been a couple since the heady days when his rock band was almost famous. Now in their 40s, he’s still chasing musical fame while Stella, a skilled and well-regarded nurse, supports them both and generally is the adult in the relationship. The night before they’re supposed to leave for a gig in California that might be his big break, they have a nasty argument, drink a lot of wine, and, despite Stella’s aversion to drug abuse, share an unidentified pill. In the morning, Simon wakes up and Stella doesn’t. Her coma lasts for several months. The middle section of the book alternates among Simon’s anguished guilt and devotion to caring for her, Stella’s hallucinatory experiences while comatose, and the reactions of Stella’s best friend, Libby, who is one of the doctors treating her. Libby had never liked Simon but is impressed with his dedication; unlucky in love herself, she’s drawn to him. Sparks fly, but their loyalty to Stella counters the attraction. Then the patient awakes, and, as can happen after comas, her personality is quite different. The old Stella was cautious and always played by the rules; the new one is restless, reckless, and emotionally distant. The only thing that calms her is art. Compulsive doodling turns into startlingly accomplished drawings—a talent she had never displayed before. People begin to commission her probing portraits; in the meantime, Simon, kicked out of his band because he stayed at Stella’s bedside, is a Lyft driver. And Libby keeps swearing she won’t see Simon anymore and then opening the door when he buzzes. Leavitt expands the characters with backstories that have a common thread: Stella, Simon, and Libby all felt severely rejected by their parents in childhood. The upheavals in their lives caused by Stella’s coma and its aftermath lead to the exposures of old secrets, healed wounds, and surprising futures.
One character’s coma is only the first surprise in this satisfying story of middle-aged love.Pub Date: Aug. 4, 2020
ISBN: 978-1-61620-779-3
Page Count: 288
Publisher: Algonquin
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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