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MALIGNANT ASSUMPTIONS

An intriguing whodunit with an unconventional hero hampered by shallow characterization.

A medical professional and amateur sleuth takes the law into her own hands in Rubin’s Massachusetts-based series thriller.

Pathology resident Liza Larkin has been diagnosed with schizoid personality disorder and has trouble relating to other people. When her colleague Megan Carlson’s aunt Fiona is found dead in what seems to be a freak accident, Liza suspects foul play and launches her own independent investigation. Guided by an internal voice—her late father’s—and the voice of reason of her lifelong therapist, Dr. Lightfoot, she believes that not all is as it seems in the quaint New England town of Morganville. She follows clues that lead her into a seedy world of sex, drugs, and violence, and finds that she has an ex-convict blackmailer on her trail. However, the way her mind works may make her perfect person for this job: “For social illiterates like me, help is the only thing we have to offer,” she narrates. In this second novel in a series, Rubin wastes no time in establishing her antihero as someone who secretly compares herself to serial killer Ted Bundy, who seems emotionless but has rage issues, and who has no interest in makeup or pop culture. She’s set up to be a complicated character, but as the story goes on, Liza’s characterization feels underdeveloped. For example, although she faces an urgent professional deadline and a blackmail plot, both of these personal issues are pushed to the side, as are hints of Liza’s dark side, in favor of the mystery plot. Nevertheless, the suspects effectively stack up as the twisty tale rolls on, and some of them even become Liza’s close allies, making for an exciting and ultimately satisfying read.

An intriguing whodunit with an unconventional hero hampered by shallow characterization.

Pub Date: Aug. 20, 2024

ISBN: 978-1-958160-10-7

Page Count: 266

Publisher: Indigo Dot Press

Review Posted Online: July 17, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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HERE ONE MOMENT

A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.

What would you do if you knew when you were going to die?

In the first page and a half of her latest page-turner, bestselling Australian author Moriarty introduces a large cast of fascinating characters, all seated on a flight to Sydney that’s delayed on the tarmac. There’s the “bespectacled hipster” with his arm in a cast; a very pregnant woman; a young mom with a screaming infant and a sweaty toddler; a bride and groom, still in their wedding clothes; a surly 6-year-old forced to miss a laser-tag party; a darling elderly couple; a chatty tourist pair; several others. No one even notices the woman who will later become a household name as the “Death Lady” until she hops up from her seat and begins to deliver predictions to each of them about the age they’ll be when they die and the cause of their deaths. Age 30, assault, for the hipster. Age 7, drowning, for the baby in arms. Age 43, workplace accident, for a 42-year-old civil engineer. Self-harm, age 28, for the lovely flight attendant, who is that day celebrating her 28th birthday. Over the next 126 chapters (some just a paragraph), you will get to know all these people, and their reactions to the news of their demise, very well. Best of all, you will get to know Cherry Lockwood, the Death Lady, and the life that brought her to this day. Is it true, as she repeatedly intones on the plane, that “fate won’t be fought”? Does this novel support the idea that clairvoyance is real? Does it find a means to logically dismiss the whole thing? Or is it some complex amalgam of these possibilities? Sorry, you won’t find that out here, and in fact not until you’ve turned all 500-plus pages. The story is a brilliant, charming, and invigorating illustration of its closing quote from Elisabeth Kübler-Ross (we’re not going to spill that either).

A fresh, funny, ambitious, and nuanced take on some of our oldest existential questions. Cannot wait for the TV series.

Pub Date: Sept. 10, 2024

ISBN: 9780593798607

Page Count: 512

Publisher: Crown

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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