In this debut novel from Australian Kennedy (Dark Roots, 2008, etc.), a father takes his estranged daughter on a trek through the Tasmanian wilderness that proves spiritually, mentally and physically grueling, and not just for them.
Rich and Sandy met protesting the Franklin River Blockade, one of the most successful environmental protests in Australian history. Their marriage didn’t last. Now their daughter Sophie has become a skinny, goth teen exasperated with her pot-smoking, New-Agey mother’s nostalgia for her past activism. Having pursued nature photography in all corners of the globe, chased women to no real effect and now working as a TV video editor, Rich decides to reconnect with his daughter. What better way than to hike the wilderness he and his ex worked to save? Rich assumes, as only the absent father of a difficult teen could, that Sophie will be impressed. Out of defiance of her mother, Sophie agrees to go and Sandy reluctantly lets her. For distraction, Sandy takes off on a retreat to find her inner goddess. The hike is difficult, especially when Rich’s new, unbroken-in boots begin to chafe. While Rich hobbles through miles of wilderness trying to impress his cynical daughter, Sandy hilariously searches for answers in meditation sessions and sweat lodges, where she instead encounters the disembodied voice of her disapproving mother. Rich must come to terms with the reality that he’s not the outdoorsman—or, for that matter, the people person—he thought he was, a lesson that leads to potential catastrophe. Kennedy illustrates her characters’ vulnerabilities through a series of power plays and dramatic reversals—Rich attempts to cut the trip short, but Sophie, with a contrary, stubborn nature not unlike her parents’, insists they continue. Locked in mutual antipathy broken by bursts of sympathy, father and daughter move into increasingly dangerous territory. An intricately written novel with an ironic eye for modern vulnerability in the face of a primordial wilderness.
Pub Date: Feb. 1, 2011
ISBN: 978-0-8021-7071-2
Page Count: 352
Publisher: Black Cat/Grove
Review Posted Online: Oct. 21, 2010
Kirkus Reviews Issue: Nov. 15, 2010
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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