Thanks to the strenuous efforts of her successor, Tuthmosis III, to eliminate all evidence of her 15th-century b.c.e. reign, the historical record is particularly spotty for Hatshepsut, the most successful of the few women who became rulers of ancient Egypt. Still, hedging the speculative portions of her narrative with plenty of “perhaps”-es and “probably”-s, Andronik (Prince of Humbugs: A Life of P.T. Barnum, 1994) assembles a credible, coherent reconstruction. Coming to power largely due to attrition in the royal family, Hatshepsut assumed an office that had no female referents. Consequently, to reinforce her position, she dressed as a man, even in a false beard, and often referred to herself as a man—which confused the eminent 19th-century archaeologist Champollion, for one, to no end. Basing his figures on ancient statuary and wall paintings, Fiedler creates illustrations in the formal Egyptian style and grand manner, evoking more sense of time and place than personality, but imbuing his portraits of Hatshepsut with a regal air. Younger students of Ancient Egypt and women’s history alike will find this careful, but not stuffy, study worthwhile, and the closing bibliography of fiction and nonfiction provides some intriguing follow-up reading. (Biography. 8-11)
