Required reading for serious dinophiles.
Thimmesh (Lucy Long Ago, 2009) again explores the border between science and speculation in this thoughtful look at how paleontologists and, in particular, “paleoartists” reconstruct prehistoric creatures from fossil evidence.
It’s “guesswork,” admits one artist. “But it’s guesswork based on science.” The author explains how surviving evidence—including fossilized bone fragments, plant matter, bits of skin and, recently, feathers, prehistoric “trackways” (preserved pathways of dino footprints) and similar physical features in modern animals—is assembled and interpreted by scientists. She also traces the evolution of dino art, from Benjamin Waterhouse Hawkins’ fanciful reconstructions of heavy-bodied giant lizards to today’s images of quick, deft, graceful creatures. In support, examples of Hawkins’ approximations and the once-authoritative dinosaur paintings of Charles R. Knight from the first half of the 20th century contrast sharply with more detailed and dramatic scenes, often of the same dinosaurs, by Greg Paul and other currently active artists the author has interviewed. Sketch pages, alternative color patterns on the same model dino, and facing images of a Deinonychus before and after the discovery of fossilized feathers provide further insight into paleoart’s methods, challenges and rewards.
Required reading for serious dinophiles. (biographical appendix, source list, glossary, index) (Nonfiction. 11-13)Pub Date: Oct. 1, 2013
ISBN: 978-0-547-99134-4
Page Count: 64
Publisher: Houghton Mifflin
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
Logically pointing out that the American cowboy archetype didn’t spring up from nowhere, Sandler, author of Cowboys (1994) and other volumes in the superficial, if luxuriously illustrated, “Library of Congress Book” series, looks back over 400 years of cattle tending in North America. His coverage ranges from the livestock carried on Columbus’s second voyage to today’s herding-by-helicopter operations. Here, too, the generous array of dramatic early prints, paintings, and photos are more likely to capture readers’ imaginations than the generality-ridden text. But among his vague comments about the characters, values, and culture passed by Mexican vaqueros to later arrivals from the Eastern US, Sadler intersperses nods to the gauchos, llaneros, and other South American “cowmen,” plus the paniolos of Hawaii, and the renowned African-American cowboys. He also decries the role film and popular literature have played in suppressing the vaqueros’ place in the history of the American West. He tackles an uncommon topic, and will broaden the historical perspective of many young cowboy fans, but his glance at modern vaqueros seems to stop at this country’s borders. Young readers will get a far more detailed, vivid picture of vaquero life and work from the cowboy classics in his annotated bibliography. (Notes, glossary, index) (Nonfiction. 10-12)
Pub Date: Jan. 15, 2001
ISBN: 0-8050-6019-7
Page Count: 116
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2000
An introduction to ancient Egypt and the Pharaohs buried in the Valley of the Kings. The authors begin with how archaeologist Howard Carter found the tomb of King Tut, then move back 3,000 years to the time of Thutmosis I, who built the first tomb in the Valley of the Kings. Finally they describe the building of the tomb of a later Pharaoh, Ramses II. The backward-forward narration is not always easy to follow, and the authors attribute emotions to the Pharaohs without citation. For example, “Thutmosis III was furious [with Hatshepsut]. He was especially annoyed that she planned to be buried in KV 20, the tomb of her father.” Since both these people lived 3,500 years ago, speculation on who was furious or annoyed should be used with extreme caution. And the tangled intrigue of Egyptian royalty is not easily sorted out in so brief a work. Throughout, though, there are spectacular photographs of ancient Egyptian artifacts, monuments, tomb paintings, jewels, and death masks that will appeal to young viewers. The photographs of the exposed mummies of Ramses II, King Tut, and Seti I are compelling. More useful for the hauntingly beautiful photos than the text. (brief bibliography, index) (Nonfiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7922-7223-4
Page Count: 64
Publisher: National Geographic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2001
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