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SWEET RUIN

Skillfully imagined, bittersweet portrait of marriage and sacrifice.

The inner (and outer) life of a grieving suburban mom is thrown into turmoil when she becomes attracted to a delicious young neighbor.

Two years after the tragic loss of her baby son, 35-year-old Elayna Leopold has gotten used to numbly going through the motions of life. A part-time poetry editor married to a mostly absent workaholic lawyer, she has been focusing all her energy on raising her young daughter Hazel. This all changes one early spring day after a chance meeting in her leafy New Jersey neighborhood with neighbor Kevin, an artist in his early 20s. She is instantly as captivated by him as he is by her; the two indulge in a heart-fluttering will-they-or-won’t-they flirtation that reignites her dormant sensuality. While never denying that she still loves her husband Paul, Elayna grows more and more smitten with Kevin, raising questions concerning the nature of marriage, the road not taken and whether the younger man is something of a substitute for the boy she lost. During this steamy season, Elayna’s fashion photographer father Devon takes a renewed interest in his granddaughter, putting Hazel in a fashion show and introducing her to his sophisticated Manhattan world. The two bond quickly, causing Elayna to wonder whether her dad’s worldly ways will negatively impact her sensitive seven-year-old. Her doubts pass quickly, and, in her self-absorbed state, Elayna starts to take more risks, culminating in a selfish decision that has far-reaching consequences for her family. Bravely tackling the complexity of sexual life, Hanauer (The Bitch in the House, 2003, etc.) allows Elayna’s ripe first-person musings to occasionally veer close to parody. But ultimately the reader is left feeling connected to a complicated woman who, after going hungry for too long, decides to taste too much.

Skillfully imagined, bittersweet portrait of marriage and sacrifice.

Pub Date: June 6, 2006

ISBN: 0-7432-7734-1

Page Count: 288

Publisher: Atria

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2006

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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