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THE PLAYMAKERS

A heartfelt mix of basketball, theater, math, and friendship that’s marred by stereotypical representation.

An Ohio boy puts together his own basketball team of mismatched seventh graders.

When best friends Jax and Nic are cut from the middle school basketball team, Jax impulsively tells their coach, “We’ll make our own team. And we’ll be better than yours.” Luke, who’s 6 feet, 3 inches tall, is more interested in acting than basketball, but he doesn’t get a part in the school play. Jax recruits Luke as a player in exchange for taking part in a theater competition with him. Eventually, the team members connect with intelligent, precocious, and lonely classmate Miley, who wants to improve her sports statistics skills: Helping the team improve their play would give her great college application material. The story is told through Jax’s, Luke’s, and Miley’s alternating first-person points of view. Miley’s entries appear as doodle-filled graphic journal entries. Full of drama, miscalculations, and turnovers, this story explores a fun scenario in which a bunch of kids with different interests and skills work together for a common purpose. Unfortunately, the innocent fun is undermined by racialized portrayals of two teammates in the otherwise largely white-presenting cast. Nic is cued Black, and his father is in jail, while teammate Koa, who’s cued Pasifika, is repeatedly described in an othering way that references his “bush of curly hair” and the nickname “Animal” (from his old school); he’s also “been through some stuff” that’s similar to Nic’s trauma.

A heartfelt mix of basketball, theater, math, and friendship that’s marred by stereotypical representation. (Fiction. 8-12)

Pub Date: April 1, 2025

ISBN: 9781639933839

Page Count: 256

Publisher: Shadow Mountain

Review Posted Online: Jan. 18, 2025

Kirkus Reviews Issue: Feb. 15, 2025

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THE VERY, VERY FAR NORTH

Quirky and imaginative—postmodern storytelling at its best.

Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.

Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.

Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-5344-3341-0

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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