Cathartic proof that childhood provides lessons for a lifetime and that change is possible.
From the day baby Daniel arrives, crying so loudly that it hurts Charise’s ears and absorbing her mother’s attention, Charise starts growing into her role of bad sister.
The popular children’s author highlights rough-and-tumble episodes from their childhoods that scar her and her brother, literally and figuratively. Charise plays wildly, tricks her little brother, and enjoys her power. Often Daniel gets hurt, and her parents insist she should know better. The selected stories and details shared here reveal volumes about the family’s dynamics. The siblings’ escalating antics are captured in clean, colorful panels that often end with moving illustrations in moody blues conveying Charise’s isolation, frustration, and guilt. Readers will relate to the rivalry, ambivalent feelings, and raw honesty—and they, unlike Charise’s parents, will see the full picture: It takes two to tango; sometimes four, counting their parents’ roles in exacerbating everything. As Daniel grows and Charise matures, the dynamic changes as well. Charise admires Daniel’s social skills which she feels she cannot match, partly due to her undiagnosed prosopagnosia, or face blindness. Over time she begins to treat Daniel better, especially after reaching a turning point when she clearly sees the lasting consequences of her behavior. By the end, they become partners, with the power to forgive. This is a powerful story of growth, self-awareness, and genuine insight into family relationships. Most characters read as White.
Cathartic proof that childhood provides lessons for a lifetime and that change is possible. (Graphic memoir. 8-12)Pub Date: Sept. 14, 2021
ISBN: 978-1-250-21906-0
Page Count: 240
Publisher: First Second
Review Posted Online: May 16, 2021
Kirkus Reviews Issue: June 1, 2021
PERSPECTIVES
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)
A multiaward–winning author recalls her childhood and the joy of becoming a writer.
Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevie and Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)Pub Date: Aug. 28, 2014
ISBN: 978-0-399-25251-8
Page Count: 336
Publisher: Nancy Paulsen Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
A mighty portrait of poverty amid cruelty and optimism.
Recounting his childhood experiences in sixth grade, Ogle’s memoir chronicles the punishing consequences of poverty and violence on himself and his family.
The start of middle school brings about unwanted changes in young Rex’s life. His old friendships devolve as his school friends join the football team and slowly edge him out. His new English teacher discriminates against him due to his dark skin (Rex is biracial, with a white absentee dad and a Mexican mom) and secondhand clothes, both too large and too small. Seemingly worse, his mom enrolls him in the school’s free-lunch program, much to his embarrassment. “Now everyone knows I’m nothing but trailer trash.” His painful home life proffers little sanctuary thanks to his mom, who swings from occasional caregiver to violent tyrant at the slightest provocation, and his white stepdad, an abusive racist whose aggression outrivals that of Rex’s mom. Balancing the persistent flashes of brutality, Ogle magnificently includes sprouts of hope, whether it’s the beginnings of a friendship with a “weird” schoolmate, joyful moments with his younger brother, or lessons of perseverance from Abuela. These slivers of relative levity counteract the toxic relationship between young Rex, a boy prone to heated outbursts and suppressed feelings, and his mother, a fully three-dimensional character who’s viciously thrashing against the burden of poverty. It’s a fine balance carried by the author’s outstanding, gracious writing and a clear eye for the penetrating truth.
A mighty portrait of poverty amid cruelty and optimism. (author’s note, author Q&A, discussion guide, writing guide, resources) (Memoir. 9-12)Pub Date: Sept. 10, 2019
ISBN: 978-1-324-00360-1
Page Count: 208
Publisher: Norton Young Readers
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
PERSPECTIVES
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