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THE APOCALYPSE CODEX

Readers familiar with Stross' dazzling science fiction should relish this change of pace and direction.

Fourth in the series (The Fuller Memorandum, 2010, etc.) about the Laundry: a weirdly alluring blend of superspy thriller, deadpan comic fantasy and Lovecraftian horror.

In the universe Stross has conjured up, supernatural nasties are real, so naturally the British government has a department to deal with them. (The U.S. equivalent is known as the Nazgûl.) The Laundry, a department so secret that anybody that stumbles upon its existence is either compulsorily inducted or quietly eliminated, seems quintessentially British: the executive offices, known as Mahogany Row, remain eerily empty; forms must be signed in blood; and there are grandiloquent code names for everything. Applied computational demonologist Bob Howard has been fast tracked into management, having survived a series of dangerous and unpleasant encounters. His boss, James Angleton, an Eater of Souls (Don't ask. Really.), worries about CASE NIGHTMARE GREEN, but there's a more immediate problem: Raymond Schiller, a supernaturally charismatic American televangelist, has grown uncomfortably chummy with the prime minister, but by convention and statute the Laundry may not investigate the office they answer to. So Bob finds himself working with "Externalities" in the shape of Persephone Hazard, an extremely powerful witch, and her sidekick Johnny McTavish, who has particular experience with creepy religious cults. Equipped with an unlimited credit card and a camera that doubles as a basilisk gun, Bob jets off to Denver to investigate and runs into an organization run by parasitic brain-sucking isopods—which turns out to be the least of his worries. Stross' irreverent, provocative, often unsettling and undeniably effective brew seethes with allusions to other works of literature, film, music and what-all—it's integral to the fun.

Readers familiar with Stross' dazzling science fiction should relish this change of pace and direction. 

Pub Date: July 3, 2012

ISBN: 978-1-937007-46-1

Page Count: 336

Publisher: Ace/Berkley

Review Posted Online: April 24, 2012

Kirkus Reviews Issue: May 1, 2012

Categories:
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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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SOMETHING WICKED THIS WAY COMES

A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.

Pub Date: June 15, 1962

ISBN: 0380977273

Page Count: 312

Publisher: Simon & Schuster

Review Posted Online: March 20, 2012

Kirkus Reviews Issue: June 15, 1962

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