Cover art for THE LIFEBOAT
Kirkus Star

THE LIFEBOAT

Buy now from
AMAZON.COM
BARNES & NOBLE
LOCAL BOOKSELLER
Add to my list

KIRKUS REVIEW

First-time novelist Rogan’s architectural background shows in the precision with which she structures the edifice of moral ambiguity surrounding a young woman’s survival during three weeks in a crowded lifeboat adrift in the Atlantic in 1914.

The novel begins with Grace back on American soil, on trial for her actions on the boat. Two other female survivors who are also charged, Hannah and Mrs. Grant, plead self-defense. Grace, guided by her lawyer Mr. Reichmann, who has had her write down her day-by-day account of events, pleads not guilty. Rogan leaves it up to the reader to decide how reliable a narrator Grace may be. Newly impoverished after her father’s financial ruin and subsequent suicide, New Yorker Grace set her sites on the wealthy young financier Henry Winter and soon won him, never mind that he was already engaged. They sailed together, pretending to be married, to London, where he had business and they legally wed before boarding Empress Alexandra (named for the soon-to-be-assassinated Tsarina) to return home. When an unexplained explosion rocks the ship, Henry gallantly places her, perhaps with a bribe, into a lifeboat already packed to over-capacity. She never sees him again. An Empress crewmember, Mr. Hardie, quickly takes charge of the passengers, distributing the limited rations and organizing work assignments with godlike authority. As hope for quick salvation dims, passengers fall into numb lethargy. Some go mad. There are natural deaths and (reluctantly) voluntary sacrificial drownings. Dissention grows. Mr. Hardie’s nemesis is the sternly maternal Mrs. Grant and feminist Hannah, who plant suspicions about his motives and competence. Grace avoids taking sides but eventually helps the other women literally overthrow him into the sea. Is she acting out of frail weakness, numbed by her ordeal, or are her survival instincts more coldblooded? Even she may not be sure; much of her conversation circles morality and religion.

The lifeboat becomes a compelling, if almost overly crafted, microcosm of a dangerous larger world in which only the strong survive.

Pub Date: April 10th, 2012
ISBN: 978-0-316-18590-5
Page count: 288pp
Publisher: Reagan Arthur/Little, Brown
Review Posted Online:
Kirkus Reviews Issue: March 1st, 2012





SIMILAR BOOKS SUGGESTED BY OUR CRITICS:

Fiction Cover art for ROOM
by Emma Donoghue
Children Cover art for LORD OF THE FLIES
by William Golding
Fiction Cover art for ANIMAL FARM
by George Orwell
Fiction Cover art for THE HOUSE OF VELVET AND GLASS
by Katherine Howe
Fiction Cover art for GILDED AGE
by Claire McMillan
Fiction Cover art for THE PAINTED BRIDGE
by Wendy Wallace


NEW & NOTABLE FICTION: APRIL 2012:

Fiction Cover art for ABSOLUTION
by Patrick Flanery
Fiction Cover art for THE COLDEST NIGHT
by Robert Olmstead
Fiction Cover art for THE COVE
by Ron Rash
Fiction Cover art for EXIT PLAN
by Larry Bond
View full list >