A must-read for introverted kids, it’s a worthy update to the 1963 original.
The story of a shy child and a Halloween costume that helps him connect with new neighbors is reinterpreted again, 55 years after its original publication as A Tiger Called Thomas with illustrations by Kurt Werth.
Tomás stays on the stoop of his new home every day as potential friends pass by, convinced “that the new people might not like him.” The gnawing feeling that he won’t be embraced by the neighborhood worsens until Halloween, when he puts on a tiger costume and disguises himself to meet them all. Of course, the costume doesn’t do much to hide his identity; everyone knows it’s Tomás, to his surprise. But the interactions help him connect in ways he wouldn’t otherwise. The boy and his mother, who are bilingual and presumed Latinx, speak mostly in English with a little Spanish sprinkled in, a hint that a language or cultural barrier may be adding to his shyness. But the Spanish is light at best, mostly parroting English words; it’s not a convincing reason for Tomás’ isolation. Nevertheless, his story rings true, as it has in previous versions of the late author’s story. The illustrations, especially those of melancholy Tomás and his colorful costume, are warm without being cloying, particularly the first time readers see him smile (which happens to be on the last page).
A must-read for introverted kids, it’s a worthy update to the 1963 original. (afterword) (Picture book. 4-8)Pub Date: Aug. 7, 2018
ISBN: 978-1-4926-0171-5
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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