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CHEECH IS NOT MY REAL NAME

...BUT DON'T CALL ME CHONG

A mildly diverting, modestly charming memoir from a surprisingly multifaceted showbiz survivor.

The straight dope from Cheech.

Marin, half of the storied stoner comedy team Cheech and Chong, recounts his life and career with this slight, genial memoir. The son of a hard-nosed cop, Richard “Cheech” Marin (b. 1946) spent his early life in East Los Angeles’ violent ghetto on the straight and narrow, earning good grades and serving as an altar boy. The Vietnam War changed everything, as Marin turned in his draft card and decamped for Canada, where he met local musician and scenester Tommy Chong and joined his improvisational comedy troupe. “I had turned in my draft card,” he writes, “philosophically denying the government’s authority over me and at the same time choosing to go to Canada to pursue my artistic calling as a potter. It was a philosophical two-fer.” Marin and Chong hit it off, and their loose, rambling, pot-inflected comedy bits quickly made them a sensation, leading to lucrative tours, albums, and movies before the buzz wore off and the pair split in the mid-1980s. Marin is diplomatic about his clashes with Chong, who comes off here as aggressive and insecure about credit, leavening all complaints with affirmations of Chong’s singular, charismatic talent. Mellow in his recollections to a fault, the author acknowledges his fondness for marijuana, but he does not offer salacious, drug-fueled anecdotes or other tales of wild, countercultural bad behavior. Instead, he focuses on the duo’s creative process, warm family memories, post–Cheech and Chong collaborations with Robert Rodriguez and Pixar, and the creation of his personal film Born in East LA (1987). Droll and affable rather than outrageous and subversive, Marin is pleasant company, but general readers may wish for less data on the author’s Chicano art collection and more hysterical, hairy tales of ’70s-era excess.

A mildly diverting, modestly charming memoir from a surprisingly multifaceted showbiz survivor.

Pub Date: March 14, 2017

ISBN: 978-1-4555-9234-0

Page Count: 272

Publisher: Grand Central Publishing

Review Posted Online: Feb. 5, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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