A harrowing work that combines suspense with a coming-of-age journey of cultural exploration.
In the forest outside Crook’s Falls lies an unnaturally still body of black water that hides—until it’s hungry.
Legends say that the pond is connected to the Ragged Man, who lurks in the shadows: “Walk with him, and you don’t come back.” When Avery, a Kanyen’kehá:ka (Mohawk) high school athlete with a white dad, defies warnings and ventures off the trail during a run, she discovers the deep black water that awakens endless nightmares. Sensing an eerie presence, Avery flees but can’t escape the water’s calls. She’s never felt connected to “the culture [that’s] supposed to be mine” and hesitates to seek the truth until the danger becomes undeniable as her nightmares intensify and people begin to disappear. When Key, the boy who’s her best friend and romantic interest, vanishes, Avery seeks guidance from Elders and learns more about the black water and the Ragged Man. In a desperate attempt to save Key and her town, she navigates a chilling mystery, torn between following wisdom passed down by her Elders and risking everything for love. Against a haunting backdrop, debut novelist Isaacs, who is Kanyen’kehá:ka and white, skillfully portrays a young woman’s struggles with the fallout of having distanced herself from her ancestors, showing how she comes to acknowledge this disconnect—grounded in avoidance of pain and discomfort—and wrestles with the resulting regret.
A harrowing work that combines suspense with a coming-of-age journey of cultural exploration. (Kanyen’kéha glossary, note from Cynthia Leitich Smith) (Supernatural. 13-18)Pub Date: Sept. 3, 2024
ISBN: 9780063287389
Page Count: 336
Publisher: Heartdrum
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
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